BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Greenwich House - ECPv6.15.14//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Greenwich House X-ORIGINAL-URL:https://greenwichhouse.org X-WR-CALDESC:Events for Greenwich House REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:America/New_York BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20080309T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20081102T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20090308T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20091101T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20100314T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20101107T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20110313T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20111106T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20120311T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20121104T060000 END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT DTSTART:20130310T070000 END:DAYLIGHT BEGIN:STANDARD TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST DTSTART:20131103T060000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;VALUE=DATE:20120301 DTEND;VALUE=DATE:20120330 DTSTAMP:20260404T082215 CREATED:20190611T160611Z LAST-MODIFIED:20240604T182524Z UID:2503-1330560000-1333065599@greenwichhouse.org SUMMARY:Forehandedness\, David East DESCRIPTION:Forehandedness\nDavid East\nMarch 1 – 29\, 2012 \nThe Jane Hartsook Gallery is pleased to present Forehandedness—new sculpture by Baltimore-based artist David S. East. For his first solo exhibition with this gallery\, East has created monuments of dailiness\, sculptures that combine ubiquitous ornamentation and serene pastels—at times uniting technology and woven fabric—offering a genealogy of cultural homogenization. East’s work is thoughtful however much the installation effortlessly transposes formalism and irony. \n“Through architectural and design references my work has revolved around issues of urban planning\,architectural ornament and design as signifiers of our cultural history. My work attempts to reveal the positive and negative by-products of our attempts to establish order. As Ebenezer Howard’s idealism gives way to white flight and Constance Spry is remade into Martha Stuart as a multi-national; my work attempts to trace these cycles\, combining the nostalgia of gingham with the high modernism of an Eames profile. The sources and images I have sought out: cheap Styrofoam knock-offs of classic decorative trim\, the rosette\, the mantle; become a mirror of the phenomena and peculiarities of an “American” point of view. The approach I have taken attempts to reflect on the monumental within the mundane\, and seeks to bore out the middle of modernism to see its split-level by-products. The work rotates around these axes operating as much a strategy of thinking as of making.”—David S. East \nDavid S. East is Chair of Ceramics at the Maryland Institute College of Art. East has taught as a visiting artist at the University of Missouri-Columbia (2001-2007)\, Alfred University\, Kansas City Art Institute\, Massachusetts College of Art\, Illinois State University\, Illinois Wesleyan University\, Washington University\, Ohio University and Tainan National College of Art\, Tainan\, Taiwan. East’s work has been exhibited nationally and internationally in juried and curated exhibitions\, most recently at the GICBiennale 2011\, Icheon\, Korea. He has received numerous awards including an Individual Artist Award from the Maryland State Arts Council\, the Lighton Foundation and the McKnight Foundation. He was in residence at the European Ceramic Work Centre in 2007 and was recently the Visiting Artist in Residence at Tyler School of Art in Philadelphia\, PA. East received his BFA in Ceramics from the University of Wisconsin – River Falls (1997) and his MFA from Southern Illinois University Edwardsville (2000). URL:https://greenwichhouse.org/event/forehandedness-david-east/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/IMG_9521b.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20120119 DTEND;VALUE=DATE:20120217 DTSTAMP:20260404T082215 CREATED:20190611T160814Z LAST-MODIFIED:20240604T182522Z UID:2506-1326931200-1329436799@greenwichhouse.org SUMMARY:Sightlines\, Michael Fujita DESCRIPTION:Sightlines\nMichael Fujita\nJanuary 19 – February 16\, 2012 \nGreenwich House Pottery is pleased to present Michael Fujita’s New York City debut exhibition\, Sightlines.This exhibition features sculptures with architectural components placed within/alongside juxtaposed the architecture of the gallery. It is influenced by the observations of the commonplace as seen in his daily life\, the embodied experience\, the space between himself and his horizon. \n“Inspired by observations and materials found in the urban landscape\, Sightlines is and offering of objects that are reinterpretations of the landscape.” – Fujita \nMichael Fujita is currently on the faculty of Greenwich House Pottery and The Clay Studio in Philadelphia where he is serving his fifth year as resident artist. Before completing his MFA from Alfred University in 2008\, he received his BFA from Kansas City Art Institute. URL:https://greenwichhouse.org/event/sightlines-michael-fujita/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Michael-Fujita-for-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20110714 DTEND;VALUE=DATE:20110812 DTSTAMP:20260404T082215 CREATED:20190611T183532Z LAST-MODIFIED:20240604T182325Z UID:2519-1310601600-1313107199@greenwichhouse.org SUMMARY:Yunomi\, A National Juried Exhibition DESCRIPTION:Yunomi\nA National Juried Exhibition\nJuly 14 – August 11\, 2011 \nThis National Juried Exhibition explores the vessel. “Yunomi” is a Japanese term for a teacup made for daily (informal) use and not for the tea ceremony. The exhibition features work by Karin Abromaitis\, Jeff Brown\, Tom Budzak\, Christopher Chaney\, Matt Conlon\, Fred Herbst\, Jim Connell\, Adam Field\, Yoshi Fujii\, Perry Haas\, Meredith Host\, Tom Jaszczak\, Kyle Johns\, Don Mengay\, Sean O’Connell\, Lorraine Oldeman\, Warren Smith\, and Ryan Strobel. \n\n \n \n \n \n \n \n Jim Connell\n \n \n \n \n \n Sean O’Connell\n \n \n \n \n \n Lorraine Olderman\n \n \n \n \n \n Ryan Strobel URL:https://greenwichhouse.org/event/yunomi-a-national-juried-exhibition/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/OConnell_Sean_01.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20110303 DTEND;VALUE=DATE:20110401 DTSTAMP:20260404T082215 CREATED:20190611T172801Z LAST-MODIFIED:20240604T182323Z UID:2513-1299110400-1301615999@greenwichhouse.org SUMMARY:Place/Setting\, Sam Chung DESCRIPTION:Place/Setting\nSam Chung\nMARCH 3 – MARCH 31\, 2011 \nThe Jane Hartsook Gallery is pleased to present a new installation by Arizona-based artist Sam Chung. For this New York City exhibition Chung has created a unique installation featuring place/settings on a custom built table for 16 people. \n“The large dinner setting presented here composes individual pieces of tableware into a larger topographical landscape.  This installation is informed by pottery traditions that reflect my own history and experiences. \nPlace\, as it relates to me\, begins with my experience as a second generation Korean-American growing up in Minnesota\, a state with a strong Scandinavian ancestry.  As I later traveled extensively throughout Asia\, I began to understand the duality of place and how it can feel simultaneously foreign and familiar. \nIn 2005\, I was a resident artist at Guldagergaard\, a ceramics center in Denmark.  It was here where I experienced a familiar reverence for the poetic simplicity of contemporary Scandinavian design and the porcelain-ware from Royal Copenhagen.  The work in Place/Setting pairs this discovery with my interest in Korean ceramics and my ongoing curiosity about my own ethnic origin.  The overall presentation provides a comment on cross-cultural identity from the intimacy of a domestic setting. ” -Sam Chung \nSam Chung was born in Minneapolis\, Minnesota and received his MFA from Arizona State University and his B.A. degree from St. Olaf College in Northfield\, Minnesota. In between undergrad and grad school he worked as a special post-bac student at the University of Minnesota. Chung taught at Northern Michigan University and is now teaching at Arizona State University in Tempe. He has had exhibitions at Cervini Haas\, AKAR\, Dubuque Museum of Fine Art\, Sherry Leedy\, Santa Fe Clay\, Lacoste\, Taipei County Yingge Museum\, and the Incheon World Ceramic Center. Chung has work in the collections of the Crocker Art Museum\, Incheon World Ceramic Center (Korea)\, Guldagergaard (Denmark)\, Shepparton Art Gallery (Australia)\, University of Arkansas\, and Arizona State University Ceramics Research Center. Chung has attended residencies at Anderson Ranch Arts Center\, Watershed\, Guldagergaard (Denmark)\, The Pottery Workshop (China). Chung’s work has been included in such publications as Contemporary Ceramics\, The Art of Contemporary American Pottery\, The Complete Guide to High Fire Glazes\, and Masters of Porcelain. URL:https://greenwichhouse.org/event/place-setting-sam-chung/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Sam-Chung-for-Website.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20110120 DTEND;VALUE=DATE:20110218 DTSTAMP:20260404T082215 CREATED:20190611T171906Z LAST-MODIFIED:20240604T182321Z UID:2510-1295481600-1297987199@greenwichhouse.org SUMMARY:Folly\, Beth Katleman DESCRIPTION:Folly\nBeth Katleman\nJanuary 20 – February 17\, 2011 \nThe Jane Hartsook Gallery is pleased to present a new installation by New York-based artist Beth Katleman\, whose work has been described by Ken Johnson in the New York Times as “doll-sized rococo theaters of murder and domestic mayhem.” Her deliciously subversive porcelain sculptures combine rococo ornament with icons from popular culture.” Katleman has created 50 porcelain tableaus each scene is an idealized landscape with water\, topiaries and architectural follies. \n“I have long been fascinated by Toile de Jouy\, the printed fabrics that drape the walls and beds of 18th century France. Peasants cavort in bucolic landscapes decked out with flowers\, all in the shadow of classical ruins. There is something surreal about these scenes\, which float\, disembodied in a world without gravity. I love the contrast between the ornate sensuality and frivolity of the scenes\, and the incongruous setting. Often the 2nd and 3rd generation knock-offs catch my eye\, especially those that project a sense of optimism\, as though they long for a grander existence” –Beth Katleman \nBeth Katleman was born in Park Forest\, Illinois. She holds a BA in English from Stanford University\, an MBA in Arts Management from UCLA and an MFA from Cranbrook. Her work is in many national collections\, including the M.H. de Young Museum\, San Francisco\, CA\, the John Michael Kohler Arts Center\, WI\, Kohler Company\, WI and the Archie Bray Foundation\, Helena\, MT. She has had solo exhibitions in Barneys New York windows and Sybaris Gallery\, Royal Oak\, MI. She has shown in exhibitions at M.H. de Young Museum\, Contemporary Jewish Museum\, San Francisco\, Garth Clark Gallery\, Thomas Healy Gallery\, Storefront for Art and Architecture\, New York and the National Building Museum\, Washington\, D.C. She has had reviews in the New York Times\, American Ceramics\, New Art Examiner\, and Sculpture Magazine. Her grants include a Mid-Atlantic Arts Foundation grant\, Kohler Arts/Industry Fellowship\, Watershed Generation X Award\, and a residency in Cortona\, Italy. Katleman lives and works in Brooklyn\, New York. URL:https://greenwichhouse.org/event/folly-beth-katleman/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Folly-detail-2010-porcelain-and-wire-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20101203 DTEND;VALUE=DATE:20110107 DTSTAMP:20260404T082215 CREATED:20190611T192250Z LAST-MODIFIED:20240604T182207Z UID:2538-1291334400-1294358399@greenwichhouse.org SUMMARY:Form Follows Food DESCRIPTION:Form Follows Food\nDecember 3\, 2010 – January 6\, 2011 \nThe Jane Hartsook Gallery is pleased to present form follows food\, an invitational exhibition celebrating the fine art of pairing food and drink with the perfect vessel. \nEach artist was invited to create a group of ceramics designed to enhance the delights of a certain type of food or drink – their choice. The results are as varied as the makers: from Marie Antoinette-inspired candy dishes to cozy pudding cups\, festive popcorn bowls and lobster dishes\, there is literally something here for every taste! \nThis special holiday exhibition and sale features new work by Nancy Bauch\, Posey Bacapoulos\, Leanne McClurg Cambric\, Sanam Emami\, Sarah Gross\, Molly Hatch\, Ayumi Horie\, Janice Jakielski\, Gail Kendall\, Michael Kline\, Gregg Moore\, Brooke Noble\, Lisa Orr\, Zena Verda Pesta\, Joe Pintz\, Sara Paloma\, Brenda Quinn\, Tyler Speicher\, Kala Stein\, Sue Tirrell and Cynthia Vardhan. \n  URL:https://greenwichhouse.org/event/form-follows-food/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Kala-Stein-2.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20091203 DTEND;VALUE=DATE:20091221 DTSTAMP:20260404T082215 CREATED:20190611T194653Z LAST-MODIFIED:20240604T182027Z UID:2559-1259798400-1261353599@greenwichhouse.org SUMMARY:One More Than Five\, Resident Artists Exhibition DESCRIPTION:One More Than Five\nResident Artists Exhibition: Jordan Becker\, Will Coggin\,\nCostain\, Stacy Cushman\, Kristen Wicklund\, Nicki Ritchie\nDecember 3 – 20\, 2009 \n  \n  \n\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\n  \n  \n  URL:https://greenwichhouse.org/event/one-more-than-five-resident-artists-exhibition/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/1-More-Than-5-Web-17.jpg END:VEVENT BEGIN:VEVENT DTSTART;VALUE=DATE:20090108 DTEND;VALUE=DATE:20090210 DTSTAMP:20260404T082215 CREATED:20190611T193447Z LAST-MODIFIED:20240604T181808Z UID:2543-1231372800-1234223999@greenwichhouse.org SUMMARY:Everything is not as it seems\, Jeanne Quinn DESCRIPTION:Everything is not as it seems\nJeanne Quinn\nJANUARY 8 – FEBRUARY 5\, 2009 \n“In Richard Wagner’s 1849 essay “The Artwork of the Future\,” he presents the idea of the Gesamtkunstwerk: the complete work of art. I have always loved this idea of being able to create something sensually encompassing\, as Wagner attempted with his own work. The decorative arts\, referred to in German as Kunsthandwerk\, in some sense have always provided the possibility for the total work of art. The decorative arts are the arts of domestic space and they surround us completely: textiles\, wall coverings\, carpets\, furniture\, lighting\, vessels of all kinds\, and every other thing that covers a wall or ceiling or floor or that we use in everyday life.” \n“I like to think of my pieces as Gesamtkunsthandwerks\, in which I attempt to combine multiples that reference traditionally decorative objects into sensually encompassing installations. In the decorative arts of the past\, as well as contemporary installations\, the viewer becomes a participant in\, and actually enters in to the work of art. The Jane Hartsook Gallery at Greenwich House reads as a parlor space with its hardwood floors\, marble fireplace\, and tall windows. It provides a space to explore some of these ideas about the decorative arts\, bridging the gap between public exhibition space and domestic space. For my exhibition\, I have made a room-sized porcelain chandelier installation\, alluding to the history of the space as a parlor and the decorative objects found there\, but re-shaping these elements into a contemporary installation that references multiples\, materiality\, and the body.” -Jeanne Quinn\, 2008 URL:https://greenwichhouse.org/event/everything-is-not-as-it-seems-jeanne-quinn/ LOCATION:NY CATEGORIES:Exhibition,Pottery ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/ex_everything9.jpg END:VEVENT END:VCALENDAR