BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Greenwich House - ECPv6.15.14//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Greenwich House
X-ORIGINAL-URL:https://greenwichhouse.org
X-WR-CALDESC:Events for Greenwich House
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20170312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20171105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20180311T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20181104T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20190310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20191103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20200308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20201101T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180928T170000
DTEND;TZID=America/New_York:20181026T180000
DTSTAMP:20260405T103745
CREATED:20190610T181915Z
LAST-MODIFIED:20240604T184552Z
UID:2336-1538154000-1540576800@greenwichhouse.org
SUMMARY:Millennium Mambo\, Cristina Tufiño
DESCRIPTION:Saint Adelaide Patron Saint of Sex Workers and Freer of Those in Psychological Bondage\, ceramic\, underglaze\, 14 x 9 inches\, 2018. Courtesy of the artist and Galería Agustina Ferreyra. ©Cristina Tufiño. Photo: Alan Wiener. \nMillennium Mambo\nCristina Tufiño\nOpening Reception | Friday\, September 28\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through October 26\, 2018 \nThe Jane Hartsook Gallery is pleased to present new work by Cristina Tufiño. Tufiño is an interdisciplinary artist whose work draws on matriarchal power and sexuality. In this new body of sculptural work\, Tufiño develops the exploration she began in her video essay Dear Pilar (2018)\, using historical symbols and personal experiences to explore the tension between biographical representation\, memory and desire. This is the artist’s first solo exhibition. \nAppearing improvisational at first\, consideration shows how carefully Tufiño has layered historical reference with autobiographical imagery. A collection of cast ceramic keyboards\, cat heads\, fingers and pineapples stand out as the refuse of some past-present millennial culture\, waiting to be discovered by a future archeologist. The palette of the installation as a whole is sourced from the vibrant colors of ancient Greek statues before they were eroded by time. The embracing sphinxes twine together the disparate histories of Ancient Egypt\, French Egyptian Revival furniture and the vernacular art of Las Vegas architecture and tourist souvenirs. \nTufiño connects these broader historical references to her personal experience\, juxtaposing archeological references with images of her childhood home in San Juan\, Puerto Rico\, her travels to Tokyo\, Japan and her visits to the lush gardens of the Chateau de Fontainebleau in France. The ceramic polaroid picture wall reliefs are fragmented memories—both real and imagined from 2001—drawn from personal photographs\, found images of bar hostesses in Tokyo\, and women bored and drinking in bars or coming home to mundane lives. This collage of artifacts comes together as an imagined vision into the past through a future nostalgia\, a nostalgia that is sensual and bright despite its dark undertones. \nCristina Tufiño (b. 1982) was born in San Juan\, Puerto Rico and lives and works between Philadelphia\, PA and New York\, NY. Tufiño received her MFA from the University of Pennsylvania\, her BFA in photography from the Rhode Island School of Design\, and her BA in art history from the University of Puerto Rico. Her work has been shown in a number of solo\, two-person and group exhibitions including at: Knockdown Center (Queens\, NY; 2018)\, Galería Agustina Ferreyra (Mexico City\, Mexico; 2018)\, NADA NY (New York\, NY; 2017)\, The Hole (New York\, NY; 2018)\, Ruberta (Los Angeles\, CA; 2017) and Hidrante (San Juan\, Puerto Rico; 2016). Tufiño has won the ARTADIA Award (2016) and the Chenven Foundation Artist Grant (2016) and been artist in residence at the Loisaida Arts Center (New York\, NY; 2016) and the Skowhegan School of Painting and Sculpture (Madison\, ME; 2012).
URL:https://greenwichhouse.org/event/millennium-mambo-cristina-tufino/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Cristina-Tufino_Saint-Adelaide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181109T170000
DTEND;TZID=America/New_York:20181206T180000
DTSTAMP:20260405T103745
CREATED:20190610T181729Z
LAST-MODIFIED:20240604T184554Z
UID:2333-1541782800-1544119200@greenwichhouse.org
SUMMARY:In House\, GHP Faculty and Staff Exhibition
DESCRIPTION:Left: Elise Siegel\, Portrait Bust with Cobalt and White\, underglaze\, ceramic\, 2015. Photographer: Alan Wiener. Right top: Hiroe Hanazono\, Brunch Set\, porcelain\, 2017. Photo: courtesy of the artist. Right bottom: Pedro Ramirez\, Festuca\, ceramic\, clay\, grass\, 2015. Photo: courtesy of the artist. \nIn House\nGHP Faculty and Staff\nOpening Reception | Friday\, November 9\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through December 6\, 2018 \nThe Jane Hartsook Gallery is pleased to present a group exhibition showcasing the artwork of current Greenwich House Pottery faculty and staff. Approaching the ceramic medium from a wide range of sources and backgrounds\, this show is as varied and dynamic as its contributors. \nEstablished educators in the arts\, designers and working artists\, our faculty and staff have been involved in numerous public works projects as well as residencies at institutions such as: Archie Bray Foundation\, The Clay Studio\, Flux Factory\, The International Ceramic Research Center\, Haystack Mountain School and Sculpture Space NYC. Alma maters include Alfred University\, the Art Institute of Chicago\, California College of Arts and Crafts\, Cranbrook Academy of Art\, Pratt Institute\, University of the Arts and the School of Visual Arts. \nGHP faculty and staff have showed their work in numerous exhibitions and have work in public and private institutions across the United States and abroad\, including: Corcoran Gallery of Art\, Garth Clark Project Space\, Guggenheim Museum\, Los Angeles County Museum of Art\, Mint Museum of Art\, the Mississippi Museum of Art\, the Museum of Fine Arts Houston\, the Museum of Modern Art\, the Smithsonian Institution’s Renwick Gallery\, Taipei Museum of Fine Arts\, and the Whitney Museum. \nPARTICIPATING ARTISTS
URL:https://greenwichhouse.org/event/in-house-ghp-faculty-and-staff-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP-Artist-Exhibition-group.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190222T170000
DTEND;TZID=America/New_York:20190322T180000
DTSTAMP:20260405T103745
CREATED:20190604T211927Z
LAST-MODIFIED:20240604T184949Z
UID:2099-1550854800-1553277600@greenwichhouse.org
SUMMARY:Untitled (Billy Wilder doesn’t drink green tea) 2019\, Rirkrit Tiravanija
DESCRIPTION:Untitled (Billy Wilder doesn’t drink green tea) 2019\, 2019. Photo: courtesy of Greenwich House Pottery. Photographer: Alan Wiener. \nUntitled (Billy Wilder doesn’t drink green tea) 2019\nRirkrit Tiravanija\nOpening Reception | Friday\, February 22\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through March 22\, 2019\n \nThe Jane Hartsook Gallery is pleased to present new work by Rirkrit Tiravanija. Tiravanija has transformed the gallery into a familiar environment that invites visitors to take a minute to sit\, relax\, have a drink and contemplate pottery. Tiravanija is known for creating similar installations and events that emphasize social engagement\, as well as his traditional material-based art.  He made a name for himself in the early ’90s by eschewing typical visual arts practices and engaging audiences by cooking for them. He has continued this practice throughout the decades in nearly all subsequent installations and exhibitions\, including during his 2017 residency at Greenwich House Pottery—cooking 3-inch thick porterhouse steak in his thrown custom-formulated flameware to make lunch for the Pottery’s community. In Untitled (Billy Wilder doesn’t like green tea) 2019\, Tiravanija once again brings his material-based artwork together with his social practice. \nBorn in Buenos Aires\, Argentina\, Tiravanija is a Thai artist widely recognized as one of the most influential artists of his generation. His work defies media-based description\, as his practice combines traditional object making\, public and private performances\, teaching\, and other forms of public service and social action. Tiravanija is on the faculty of the School of the Arts at Columbia University\, and is a founding member and curator of Utopia Station\, a collective project of artists\, art historians and curators. Tiravanija also helped establish an educational-ecological project known as The Land Foundation\, located in Chiang Mai\, Thailand. \nHe has had individual exhibitions at the following institutions: Garage Museum of Contemporary Art (Moscow\, Russia; 2015); Modern Art Museum of Fort Worth (TX; 2014); Yerba Buena Center for the Arts (San Francisco\, CA; 2013); Tate Modern (London\, United Kingdom; 2013); Singapore Art Museum (Singapore; 2012); Centre Pompidou (Paris\, France; 2012); Museum of Modern Art (New York\, NY; 2012); Bonniers Konsthall (Stockholm\, Sweden; 2011); Mildred Lane Kemper Art Museum (St. Louis\, MO; 2009); The Drawing Center (New York\, NY; 2008); among others. He has also participated in group exhibitions at the Sharjah Biennial (Sharjah\, United Arab Emirates; 2015); Venice Biennale (Venice\, Italy; 2015); the Hammer Museum (Los Angeles\, CA; 2014); the National Museum of Art\, Architecture and Design (Oslo\, Norway; 2014); the New Museum (New York\, NY; 2013); the Palais de Tokyo (Paris\, France; 2012); among many others.
URL:https://greenwichhouse.org/event/untitled-billy-wilder-doesnt-drink-green-tea-rirkrit-tiravanija-2/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Rirkrit-Tiravanija_Billy-Wilder-doesnt-drink-green-tea-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190412T170000
DTEND;TZID=America/New_York:20190503T180000
DTSTAMP:20260405T103745
CREATED:20190604T211809Z
LAST-MODIFIED:20240604T184952Z
UID:2097-1555088400-1556906400@greenwichhouse.org
SUMMARY:GHP Artists Exhibition 2019
DESCRIPTION:Left to right: Maggie Wells\, Untitled\, and James Wawrzewski\, Wooden Box. Photo: Ann Treesa Joy. \nGHP Artists Exhibition\nOpening Reception | Friday\, April 12\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through May 3\, 2019 \nThe Jane Hartsook Gallery is pleased to present an exhibition recognizing the distinguished artists who contribute to the Greenwich House Pottery community. This exhibition showcases the artistic range of GHP’s makers\, each of whom uses the Pottery’s extensive resources to express their own creative voice in clay. From functional ceramics to sculpture\, this exhibition is as diverse as the artists themselves. \nGHP is the oldest non-profit in the country dedicated to the inquiry and advancement of the ceramic arts. Key to the development of technical skills and innovation\, GHP provides an all-encompassing educational program for over 1260 students annually. Artists and students learn from professional faculty and staff proficient in a range of topics from wheel throwing\, hand-building and paper clay to glaze chemistry and slip casting. GHP also hosts workshops and lectures by leading ceramic artists from around the country as well as offering teens and children the opportunity to work in clay through Greenwich House’s Afterschool Program. The artists in this exhibition represent the continuous achievement\, exploration and passion for ceramic arts that GHP has fostered for over 110 years.
URL:https://greenwichhouse.org/event/ghp-artists-exhibition-2/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP-Artist-Exhibition-2019-Press-Release-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T153000
DTEND;TZID=America/New_York:20190517T163000
DTSTAMP:20260405T103745
CREATED:20190415T164243Z
LAST-MODIFIED:20240604T184954Z
UID:949-1558107000-1558110600@greenwichhouse.org
SUMMARY:GHP Artist Talk: Joanna Powell
DESCRIPTION:Joanna Powell will give an artist talk. Powell will discuss her past work and her New York debut exhibition\, Lay Me in a Hot Bed and Try Not to Drown. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks what it means to have common experiences without actually being able to share them.\n\n\nJoanna Powell is an artist based out of Helena\, Montana. She received her MFA in ceramics from the University of Colorado\, Boulder and her BFA in ceramics from the University of North Texas. She was an artist in residence at the Archie Bray Foundation and has had solo and group exhibitions at University of Wisconsin-River Falls (River Falls\, WI; 2019)\, Denison Artspace (Newark\, OH; 2016)\, Hoffman Gallery (Portland\, OR; 2018)\, and The Clay Studio (Philadelphia\, PA; 2013)\, among others.\nThis event is free and open to the public.\nSeats are limited. Please register to RSVP.
URL:https://greenwichhouse.org/event/ghp-artist-talk-joanna-powell/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T170000
DTEND;TZID=America/New_York:20190614T180000
DTSTAMP:20260405T103745
CREATED:20190415T164517Z
LAST-MODIFIED:20240604T184955Z
UID:954-1558112400-1560535200@greenwichhouse.org
SUMMARY:Lay Me in a Hot Bed and Try Not to Drown\, Joanna Powell
DESCRIPTION:Left to right: Flower Vessel no. 1 and Fruit Vessel with Bangles\, ceramic\, 2019. Photo: courtesy of Greenwich House Pottery. Photographer: Alan Wiener. \nLay Me in a Hot Bed and Try Not to Drown\nJoanna Powell\nOpening Reception | Friday\, May 17\, 2019 | 5:00  – 7:00 p.m.\nExhibition on view through June 14\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Joanna Powell. Lay Me in a Hot Bed and Try Not to Drown\, Powell’s New York City debut\, was inspired by the harrowing experience of returning to Dallas after her mother’s death. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks how those humid Dallas nights felt\, trying to fall asleep despite the crush of emotion and thick summer air\, and what it means to have common experiences without actually being able to share them. \nPowell’s work is joyful while retaining a sense of loss. Infinite black backgrounds make intense colors pop with life\, and white vessels are washed in color. Pots and paintings alike are lush with beautiful plant life whose fruit and flowers promise plenty that they ultimately cannot fulfill. Joy and pain are present in Powell’s work in a way that welcomes viewers to contemplate their experiences with loss without dictating their responses. \nJoanna Powell (b. 1981\, Dallas\, TX) holds an MFA from the University of Colorado\, Boulder and a BFA from The University of North Texas in Denton. Powell has exhibited her work throughout the United States. Her most recent solo exhibition\, Everything Belongs to You\, was held at the Denison Art Space in Newark\, OH. In 2015\, Powell was granted an Emerging Artist Award from the National Council on Education for the Ceramic Arts (NCECA). She has been a resident artist at the Archie Bray Foundation (Helena\, MT); Haystack Mountain School of Crafts (Deer Isle\, ME); Alfred University (NY); Kansas State University (Manhattan\, KS) and Denison University (Granville\, OH). Currently she lives in Helena\, MT and is a full-time studio artist and travelling lecturer.
URL:https://greenwichhouse.org/event/joanna-powell-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190802T140000
DTEND;TZID=America/New_York:20190802T150000
DTSTAMP:20260405T103745
CREATED:20190724T135426Z
LAST-MODIFIED:20240604T184957Z
UID:3792-1564754400-1564758000@greenwichhouse.org
SUMMARY:Kari Marboe Artist Talk
DESCRIPTION:Kari Maboe will give a talk about the work she has been developing during her fellowship at Greenwich House Pottery. \nKari Marboe uses her artwork to engage communities with each other and with the past by delving into archives and using digital tools to present her research in clay. She is working on a collaborative exhibition project called “Duplicating Daniel” with the Mills College Art Museum\, which will be on view at the museum January 22–March 15\, 2020. The project records Marboe’s attempts to “return” a Daniel Rhodes sculpture that is missing from the museum’s archives based on the only remaining evidence of it: a blurry photograph and its accession information. \nDaniel Rhodes (1922–1988) was a ceramic artist who taught at Alfred University for 25 years and is probably best known for writing “Clay and Glazes for the Potter” (1957). His history overlaps with Greenwich House Pottery’s several times: he had an exhibition at GHP in 1962\, one of his sculptures was part of GHP’s permanent collection\, and he taught Minnie Negoro (GHP faculty\, 1963–1965) ceramics while she was interned at Wyoming’s Heart Mountain Relocation Center. Marboe has used her fellowship at the Pottery to look into our archive and further investigate the connection between Rhodes and GHP to inform her “Duplicating Daniel” project. \nSeats are limited.\nPlease register to RSVP.\nThis event is free and open to the public.
URL:https://greenwichhouse.org/event/kari-marboe-artist-talk/
LOCATION:Greenwich House Pottery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Talk
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/Fellow-is-In.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190907T150000
DTEND;TZID=America/New_York:20190907T170000
DTSTAMP:20260405T103745
CREATED:20190604T202216Z
LAST-MODIFIED:20240604T185000Z
UID:2053-1567868400-1567875600@greenwichhouse.org
SUMMARY:Artist Reception for Touching Time
DESCRIPTION:Works in progress\, 2019. Photo: courtesy of the artist. \nTouching Time\nChristopher Staley\nOpening Reception | Saturday\, September 7\, 2019 | 3:00 – 5:00 p.m.\nExhibition on view through September 27\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Christopher Staley. In the artist’s first solo exhibition in 10 years\, Staley uses introspection to locate creativity and selfhood within his artistic process. The work in this exhibition was inspired by Staley’s 2019 return to the Archie Bray Foundation and Greenwich House Pottery—two ceramics centers that had a significant impact on his career—30 years after he first encountered them. Re-encountering these spaces made Staley reconsider how his life experience has affected his work. Like the Process Artists of the ‘60s and ‘70s\, he began to reevaluate where “art” occurred in his making process. Was it the finished object or the steps along the way? By analyzing his work as metaphor and interrogating his creative process\, Staley leads by example and encourages other artists to do the same\, raising the question: Are the objects in this exhibition the art\, or is the introspection Staley sparks in others his true art? \nChristopher Staley is an artist based out of Pennsylvania. He has been a Professor of Ceramic Art at Penn State University since 1990. He received his MFA from Alfred University and his BFA from Wittenberg University. Staley has shown his work across the United States\, including at Museum of Contemporary Crafts (Portland\, OR; 2013) Santa Fe Clay Gallery (Santa Fe\, NM; 2009)\, and Garth Clark Gallery (New York\, NY; 2000). He has been artist in residence at Ceramic Art Museum (Fuping\, China; 2007)\, EKWC (The Netherlands\, 2005)\, and the Archie Bray Foundation (Helena\, MT; 2019\, 2004\, 1998-99). Staley has previously served as President of the National Council on Education of the Ceramic Arts (2016)\, on the Board of Directors for Haystack School of Crafts (Deer Isle\, ME; 2005-14)\, and on the Advisory Board for Watershed Center for the Ceramic Arts (Edgecomb\, ME; 1991-94).
URL:https://greenwichhouse.org/event/closing-reception-for-touching-time/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Chris-Staley-Works-in-Progress.jpg
END:VEVENT
END:VCALENDAR