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X-WR-CALDESC:Events for Greenwich House
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20120712
DTEND;VALUE=DATE:20120810
DTSTAMP:20260404T165222
CREATED:20190611T155203Z
LAST-MODIFIED:20240604T182529Z
UID:2496-1342051200-1344556799@greenwichhouse.org
SUMMARY:Hope Rovelto
DESCRIPTION:Hope Rovelto\nJuly 12 – August 9\, 2012 \nThe Jane Hartsook Gallery is pleased to present the work of Hope Rovelto for her New York City Solo Exhibition debut. This work represents the culmination of her 10 months as Greenwich House Pottery’s Resident Artist. \n“My work involves contemporary issues in my life as well as those in the world around me. The individual and social topics I choose to depict are global issues that not only serve as a method in which to deal with my own frustrations with my past\, present and future\, but also serve as a way for viewers to think about frustrations in their own experience. I am influenced by American culture\, current media and politics\, and what I view as the degradation of the human experience through social and environmental poisons which plague our world. I feel that it is my job as an artist to not only explore these ideas but also present them\, provoking an awareness response. Because I believe that art reflects the world in which it exists\, politics and art often intersect. As we approach the 2012 presidential election\, I want to create a show that depicts the ever-growing tension in our intense political climate.” –Hope Rovelto \nHope Rovelto earned her BFA in sculpture from Maine College of Art and her MFA in ceramics from RIT. She has taught ceramics and art history at the University of the Arts and Philadelphia University. She owns a screen printing and ceramic decal business in Philadelphia\, and is currently finishing up a residency at Greenwich House Pottery in NYC. Hope was a resident artist at Watershed Center for Ceramic Arts\, where she currently sits on the Board of Directors. Other residencies Hope has participated in include Arrowmont School of Craft in TN\, Penland in NC\, and Oxbow in MI.
URL:https://greenwichhouse.org/event/hope-rovelto/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Hope-Rovelto-for-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120419
DTEND;VALUE=DATE:20120518
DTSTAMP:20260404T165222
CREATED:20190611T160403Z
LAST-MODIFIED:20240604T182526Z
UID:2499-1334793600-1337299199@greenwichhouse.org
SUMMARY:Julia Haft-Candell and Benjamin DeMott
DESCRIPTION:Julia Haft-Candell and Benjamin DeMott\nApril 19 – May 17\, 2012 \nThe Jane Hartsook Gallery is pleased to present the work of Julia Haft-Candell and Benjamin DeMott. Their installation gives rise to an alternative way of seeing ourselves\, materials and the space between these components. This exhibition relates to the figurative – psychological\, physiological\, metaphorical and active and passive notions of impermanence\, mapping\, reclaiming\, and collecting. Beyond their conceptual affinities their work reflects a unique\, almost contrarian\, handling of the material prevalent in today’s expanded field. \n“Fragile\, thread-thin ceramic extrusions are tenuously bound to one another by glues and household fix-it material. The painfully delicate fired ceramic line\, zigs and zags splintering into a complex network where the familiarity of scale shifts from that of the watchmaker to the astronomer. Interspersed within these precarious structures are decorative debris…Highlighting impermanence\, these assemblages are contingent and situational\, potentially configured for only a short duration. A playful longing for solidity amidst operatives of change inspires this dialogue with material. My intent is to afford the audience a confrontation\, a friction between wonder\, awe and the trepidation felt by the prospects of uncertainty. I aim to explore what uncertainty has to offer.” –Benjamin DeMott \n“Through my work I am echoing the characteristics of a complex system. Seemingly disparate events align to form a whole. Each element of the system is unique\, yet needs the others in order to function\, as small changes in a part can drastically alter the integrity of the entire structure. By creating a vocabulary comprised of cells that are repetitively constructed\, added\, subtracted and rearranged\, I can speak of the phenomenal interconnectedness of all things… Ultimately the goal is to form a composition that most effectively speaks to the ambiguity of perception and the complexity of being.”—Julia Haft-Candell \nJulia Haft-Candell was born in Oakland\, California. She received an MFA from California State University Long Beach in 2010. She currently lives and works in Los Angeles. Benjamin DeMott was born in Allentown\, Pennsylvania. He earned an MFA from the New York State College of Ceramics at Alfred University and a BFA from Tyler School of Art at Temple University.
URL:https://greenwichhouse.org/event/julia-haft-candell-and-benjamin-demott/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/IMG_0781.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120301
DTEND;VALUE=DATE:20120330
DTSTAMP:20260404T165222
CREATED:20190611T160611Z
LAST-MODIFIED:20240604T182524Z
UID:2503-1330560000-1333065599@greenwichhouse.org
SUMMARY:Forehandedness\, David East
DESCRIPTION:Forehandedness\nDavid East\nMarch 1 – 29\, 2012 \nThe Jane Hartsook Gallery is pleased to present Forehandedness—new sculpture by Baltimore-based artist David S. East. For his first solo exhibition with this gallery\, East has created monuments of dailiness\, sculptures that combine ubiquitous ornamentation and serene pastels—at times uniting technology and woven fabric—offering a genealogy of cultural homogenization. East’s work is thoughtful however much the installation effortlessly transposes formalism and irony. \n“Through architectural and design references my work has revolved around issues of urban planning\,architectural ornament and design as signifiers of our cultural history. My work attempts to reveal the positive and negative by-products of our attempts to establish order. As Ebenezer Howard’s idealism gives way to white flight and Constance Spry is remade into Martha Stuart as a multi-national; my work attempts to trace these cycles\, combining the nostalgia of gingham with the high modernism of an Eames profile. The sources and images I have sought out: cheap Styrofoam knock-offs of classic decorative trim\, the rosette\, the mantle; become a mirror of the phenomena and peculiarities of an “American” point of view. The approach I have taken attempts to reflect on the monumental within the mundane\, and seeks to bore out the middle of modernism to see its split-level by-products. The work rotates around these axes operating as much a strategy of thinking as of making.”—David S. East \nDavid S. East is Chair of Ceramics at the Maryland Institute College of Art. East has taught as a visiting artist at the University of Missouri-Columbia (2001-2007)\, Alfred University\, Kansas City Art Institute\, Massachusetts College of Art\, Illinois State University\, Illinois Wesleyan University\, Washington University\, Ohio University and Tainan National College of Art\, Tainan\, Taiwan. East’s work has been exhibited nationally and internationally in juried and curated exhibitions\, most recently at the GICBiennale 2011\, Icheon\, Korea. He has received numerous awards including an Individual Artist Award from the Maryland State Arts Council\, the Lighton Foundation and the McKnight Foundation. He was in residence at the European Ceramic Work Centre in 2007 and was recently the Visiting Artist in Residence at Tyler School of Art in Philadelphia\, PA. East received his BFA in Ceramics from the University of Wisconsin – River Falls (1997) and his MFA from Southern Illinois University Edwardsville (2000).
URL:https://greenwichhouse.org/event/forehandedness-david-east/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/IMG_9521b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120119
DTEND;VALUE=DATE:20120217
DTSTAMP:20260404T165222
CREATED:20190611T160814Z
LAST-MODIFIED:20240604T182522Z
UID:2506-1326931200-1329436799@greenwichhouse.org
SUMMARY:Sightlines\, Michael Fujita
DESCRIPTION:Sightlines\nMichael Fujita\nJanuary 19 – February 16\, 2012 \nGreenwich House Pottery is pleased to present Michael Fujita’s New York City debut exhibition\, Sightlines.This exhibition features sculptures with architectural components placed within/alongside juxtaposed the architecture of the gallery. It is influenced by the observations of the commonplace as seen in his daily life\, the embodied experience\, the space between himself and his horizon. \n“Inspired by observations and materials found in the urban landscape\, Sightlines is and offering of objects that are reinterpretations of the landscape.” – Fujita \nMichael Fujita is currently on the faculty of Greenwich House Pottery and The Clay Studio in Philadelphia where he is serving his fifth year as resident artist. Before completing his MFA from Alfred University in 2008\, he received his BFA from Kansas City Art Institute.
URL:https://greenwichhouse.org/event/sightlines-michael-fujita/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Michael-Fujita-for-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110714
DTEND;VALUE=DATE:20110812
DTSTAMP:20260404T165222
CREATED:20190611T183532Z
LAST-MODIFIED:20240604T182325Z
UID:2519-1310601600-1313107199@greenwichhouse.org
SUMMARY:Yunomi\, A National Juried Exhibition
DESCRIPTION:Yunomi\nA National Juried Exhibition\nJuly 14 – August 11\, 2011 \nThis National Juried Exhibition explores the vessel. “Yunomi” is a Japanese term for a teacup made for daily (informal) use and not for the tea ceremony. The exhibition features work by Karin Abromaitis\, Jeff Brown\, Tom Budzak\, Christopher Chaney\, Matt Conlon\, Fred Herbst\, Jim Connell\, Adam Field\, Yoshi Fujii\, Perry Haas\, Meredith Host\, Tom Jaszczak\, Kyle Johns\, Don Mengay\, Sean O’Connell\, Lorraine Oldeman\, Warren Smith\, and Ryan Strobel. \n\n		\n		\n			\n				\n			\n				\n				Jim Connell\n				\n			\n				\n			\n				\n				Sean O’Connell\n				\n			\n				\n			\n				\n				Lorraine Olderman\n				\n			\n				\n			\n				\n				Ryan Strobel
URL:https://greenwichhouse.org/event/yunomi-a-national-juried-exhibition/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/OConnell_Sean_01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110303
DTEND;VALUE=DATE:20110401
DTSTAMP:20260404T165222
CREATED:20190611T172801Z
LAST-MODIFIED:20240604T182323Z
UID:2513-1299110400-1301615999@greenwichhouse.org
SUMMARY:Place/Setting\, Sam Chung
DESCRIPTION:Place/Setting\nSam Chung\nMARCH 3 – MARCH 31\, 2011 \nThe Jane Hartsook Gallery is pleased to present a new installation by Arizona-based artist Sam Chung. For this New York City exhibition Chung has created a unique installation featuring place/settings on a custom built table for 16 people. \n“The large dinner setting presented here composes individual pieces of tableware into a larger topographical landscape.  This installation is informed by pottery traditions that reflect my own history and experiences. \nPlace\, as it relates to me\, begins with my experience as a second generation Korean-American growing up in Minnesota\, a state with a strong Scandinavian ancestry.  As I later traveled extensively throughout Asia\, I began to understand the duality of place and how it can feel simultaneously foreign and familiar. \nIn 2005\, I was a resident artist at Guldagergaard\, a ceramics center in Denmark.  It was here where I experienced a familiar reverence for the poetic simplicity of contemporary Scandinavian design and the porcelain-ware from Royal Copenhagen.  The work in Place/Setting pairs this discovery with my interest in Korean ceramics and my ongoing curiosity about my own ethnic origin.  The overall presentation provides a comment on cross-cultural identity from the intimacy of a domestic setting. ” -Sam Chung \nSam Chung was born in Minneapolis\, Minnesota and received his MFA from Arizona State University and his B.A. degree from St. Olaf College in Northfield\, Minnesota. In between undergrad and grad school he worked as a special post-bac student at the University of Minnesota. Chung taught at Northern Michigan University and is now teaching at Arizona State University in Tempe. He has had exhibitions at Cervini Haas\, AKAR\, Dubuque Museum of Fine Art\, Sherry Leedy\, Santa Fe Clay\, Lacoste\, Taipei County Yingge Museum\, and the Incheon World Ceramic Center. Chung has work in the collections of the Crocker Art Museum\, Incheon World Ceramic Center (Korea)\, Guldagergaard (Denmark)\, Shepparton Art Gallery (Australia)\, University of Arkansas\, and Arizona State University Ceramics Research Center. Chung has attended residencies at Anderson Ranch Arts Center\, Watershed\, Guldagergaard (Denmark)\, The Pottery Workshop (China). Chung’s work has been included in such publications as Contemporary Ceramics\, The Art of Contemporary American Pottery\, The Complete Guide to High Fire Glazes\, and Masters of Porcelain.
URL:https://greenwichhouse.org/event/place-setting-sam-chung/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Sam-Chung-for-Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110120
DTEND;VALUE=DATE:20110218
DTSTAMP:20260404T165222
CREATED:20190611T171906Z
LAST-MODIFIED:20240604T182321Z
UID:2510-1295481600-1297987199@greenwichhouse.org
SUMMARY:Folly\, Beth Katleman
DESCRIPTION:Folly\nBeth Katleman\nJanuary 20 – February 17\, 2011 \nThe Jane Hartsook Gallery is pleased to present a new installation by New York-based artist Beth Katleman\, whose work has been described by Ken Johnson in the New York Times as “doll-sized rococo theaters of murder and domestic mayhem.” Her deliciously subversive porcelain sculptures combine rococo ornament with icons from popular culture.” Katleman has created 50 porcelain tableaus each scene is an idealized landscape with water\, topiaries and architectural follies. \n“I have long been fascinated by Toile de Jouy\, the printed fabrics that drape the walls and beds of 18th century France. Peasants cavort in bucolic landscapes decked out with flowers\, all in the shadow of classical ruins. There is something surreal about these scenes\, which float\, disembodied in a world without gravity. I love the contrast between the ornate sensuality and frivolity of the scenes\, and the incongruous setting. Often the 2nd and 3rd generation knock-offs catch my eye\, especially those that project a sense of optimism\, as though they long for a grander existence” –Beth Katleman \nBeth Katleman was born in Park Forest\, Illinois. She holds a BA in English from Stanford University\, an MBA in Arts Management from UCLA and an MFA from Cranbrook. Her work is in many national collections\, including the M.H. de Young Museum\, San Francisco\, CA\, the John Michael Kohler Arts Center\, WI\, Kohler Company\, WI and the Archie Bray Foundation\, Helena\, MT. She has had solo exhibitions in Barneys New York windows and Sybaris Gallery\, Royal Oak\, MI. She has shown in exhibitions at M.H. de Young Museum\, Contemporary Jewish Museum\, San Francisco\, Garth Clark Gallery\, Thomas Healy Gallery\, Storefront for Art and Architecture\, New York and the National Building Museum\, Washington\, D.C. She has had reviews in the New York Times\, American Ceramics\, New Art Examiner\, and Sculpture Magazine. Her grants include a Mid-Atlantic Arts Foundation grant\, Kohler Arts/Industry Fellowship\, Watershed Generation X Award\, and a residency in Cortona\, Italy. Katleman lives and works in Brooklyn\, New York.
URL:https://greenwichhouse.org/event/folly-beth-katleman/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Folly-detail-2010-porcelain-and-wire-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101203
DTEND;VALUE=DATE:20110107
DTSTAMP:20260404T165222
CREATED:20190611T192250Z
LAST-MODIFIED:20240604T182207Z
UID:2538-1291334400-1294358399@greenwichhouse.org
SUMMARY:Form Follows Food
DESCRIPTION:Form Follows Food\nDecember 3\, 2010 – January 6\, 2011 \nThe Jane Hartsook Gallery is pleased to present form follows food\, an invitational exhibition celebrating the fine art of pairing food and drink with the perfect vessel. \nEach artist was invited to create a group of ceramics designed to enhance the delights of a certain type of food or drink – their choice. The results are as varied as the makers: from Marie Antoinette-inspired candy dishes to cozy pudding cups\, festive popcorn bowls and lobster dishes\, there is literally something here for every taste! \nThis special holiday exhibition and sale features new work by Nancy Bauch\, Posey Bacapoulos\, Leanne McClurg Cambric\, Sanam Emami\, Sarah Gross\, Molly Hatch\, Ayumi Horie\, Janice Jakielski\, Gail Kendall\, Michael Kline\, Gregg Moore\, Brooke Noble\, Lisa Orr\, Zena Verda Pesta\, Joe Pintz\, Sara Paloma\, Brenda Quinn\, Tyler Speicher\, Kala Stein\, Sue Tirrell and Cynthia Vardhan. \n 
URL:https://greenwichhouse.org/event/form-follows-food/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Kala-Stein-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20091203
DTEND;VALUE=DATE:20091221
DTSTAMP:20260404T165222
CREATED:20190611T194653Z
LAST-MODIFIED:20240604T182027Z
UID:2559-1259798400-1261353599@greenwichhouse.org
SUMMARY:One More Than Five\, Resident Artists Exhibition
DESCRIPTION:One More Than Five\nResident Artists Exhibition: Jordan Becker\, Will Coggin\,\nCostain\, Stacy Cushman\, Kristen Wicklund\, Nicki Ritchie\nDecember 3 – 20\, 2009 \n  \n  \n\n		\n		\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n				\n			\n			\n		\n\n  \n  \n 
URL:https://greenwichhouse.org/event/one-more-than-five-resident-artists-exhibition/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/1-More-Than-5-Web-17.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090108
DTEND;VALUE=DATE:20090210
DTSTAMP:20260404T165222
CREATED:20190611T193447Z
LAST-MODIFIED:20240604T181808Z
UID:2543-1231372800-1234223999@greenwichhouse.org
SUMMARY:Everything is not as it seems\, Jeanne Quinn
DESCRIPTION:Everything is not as it seems\nJeanne Quinn\nJANUARY 8 – FEBRUARY 5\, 2009 \n“In Richard Wagner’s 1849 essay “The Artwork of the Future\,” he presents the idea of the Gesamtkunstwerk: the complete work of art. I have always loved this idea of being able to create something sensually encompassing\, as Wagner attempted with his own work. The decorative arts\, referred to in German as Kunsthandwerk\, in some sense have always provided the possibility for the total work of art. The decorative arts are the arts of domestic space and they surround us completely: textiles\, wall coverings\, carpets\, furniture\, lighting\, vessels of all kinds\, and every other thing that covers a wall or ceiling or floor or that we use in everyday life.” \n“I like to think of my pieces as Gesamtkunsthandwerks\, in which I attempt to combine multiples that reference traditionally decorative objects into sensually encompassing installations. In the decorative arts of the past\, as well as contemporary installations\, the viewer becomes a participant in\, and actually enters in to the work of art. The Jane Hartsook Gallery at Greenwich House reads as a parlor space with its hardwood floors\, marble fireplace\, and tall windows. It provides a space to explore some of these ideas about the decorative arts\, bridging the gap between public exhibition space and domestic space. For my exhibition\, I have made a room-sized porcelain chandelier installation\, alluding to the history of the space as a parlor and the decorative objects found there\, but re-shaping these elements into a contemporary installation that references multiples\, materiality\, and the body.” -Jeanne Quinn\, 2008
URL:https://greenwichhouse.org/event/everything-is-not-as-it-seems-jeanne-quinn/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/ex_everything9.jpg
END:VEVENT
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