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X-WR-CALDESC:Events for Greenwich House
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DTSTART;TZID=America/New_York:20191122T170000
DTEND;TZID=America/New_York:20191220T180000
DTSTAMP:20260403T224404
CREATED:20190604T205439Z
LAST-MODIFIED:20210318T161126Z
UID:2062-1574442000-1576864800@greenwichhouse.org
SUMMARY:In-Between Moments\, Janice Jakielski
DESCRIPTION:In-Between Moments\nJanice Jakielski\nOpening Reception | Friday\, November 22\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through December 20\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Janice Jakielski. Jakielski marries modern industrial technology with historic ceramic forms to create beautiful objects that provide a moment of pause in an overwhelming world. Jakielski uses industrial casting methods to create paper-thin sheets of porcelain that she layers\, folds\, and curls to reimagine historic vessels from Europe and Asia. She reinvents these vessels without their interior volume\, flattening them into outlines of their previous forms. By removing their function and playfully recreating these vessels in impossibly thin porcelain\, Jakielski encourages the viewer to stop and take a closer look. \nLike the Sèvres porcelain factory in its day\, whose work she often references\, Jakielski is at the forefront of technical and artistic innovation. In 18th century France innovation meant finally being able to make porcelain vessels—Europe lagged far behind China in understanding this technology—and recreating famous European paintings on those porcelain surfaces. For Jakielski it means adapting industrial methods used to make computer components to create a type of porcelain clay body that behaves like no other and taking inspiration from multiple craft disciplines to achieve her final forms. Where the makers at Sèvres drew inspiration from painting\, Jakielski uses skills more often employed with fiber and paper crafts like embroidery and paper filigree to complete her designs. \nJakielski is an artist based out of Sutton\, MA. She received an MFA in ceramics from University of Colorado\, Boulder and her BFA at Alfred University. She is currently an adjunct faculty member at Massachusetts College of Art and Design. She has shown her work across the United States\, including at Wayne Art Center (PA; 2018)\, Peters Projects (Santa Fe\, NM; 2018)\, Racine Art Museum\, (WI; 2016) and Houston Center for Contemporary Craft (TX; 2013). Jakielski has been an artist in residence at the Archie Bray Foundation (Helena\, MT; 2019)\, and Arrowmont School of Arts and Crafts (Gatlinburg\, TN; 2015); among others. She was awarded the Mass Cultural Council Artist Fellowship and the Society of Arts and Crafts Artist Award. \nDownload the press release here. \n \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2019.
URL:https://greenwichhouse.org/event/janice-jakielski-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Sèvres-Flower-Bowl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T170000
DTEND;TZID=America/New_York:20191122T190000
DTSTAMP:20260403T224404
CREATED:20190604T205600Z
LAST-MODIFIED:20190604T205600Z
UID:2065-1574442000-1574449200@greenwichhouse.org
SUMMARY:Opening Reception for Janice Jakielski
DESCRIPTION:
URL:https://greenwichhouse.org/event/opening-reception-for-janice-jakielski/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/Janice-Jakielski_Temporary-Image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T160000
DTEND;TZID=America/New_York:20191122T170000
DTSTAMP:20260403T224404
CREATED:20191105T192210Z
LAST-MODIFIED:20200227T021541Z
UID:5781-1574438400-1574442000@greenwichhouse.org
SUMMARY:Janice Jakielski Artist Talk
DESCRIPTION:Janice Jakielski will give a talk about her exhibition In-Between Moments\, which will be on view in the Jane Hartsook Gallery from November 22 to December 20\, 2019. \nIn-Between Moments is an exhibition of new work by Janice Jakielski. Jakielski marries modern industrial technology with historic ceramic forms to create beautiful objects that provide a moment of pause in an overwhelming world. Jakielski uses industrial casting methods to create paper-thin sheets of porcelain that she layers\, folds\, and curls to reimagine historic vessels from Europe and Asia. She reinvents these vessels without their interior volume\, flattening them into outlines of their previous forms. By removing their function and playfully recreating these vessels in impossibly thin porcelain\, Jakielski encourages the viewer to stop and take a closer look. \n\nSeats are limited.\nPlease register to RSVP.\nThis event is free and open to the public.
URL:https://greenwichhouse.org/event/janice-jakielski-artist-talk/
LOCATION:Greenwich House Pottery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Talk
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/Janice-Jakielski_Temporary-Image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191118T193000
DTEND;TZID=America/New_York:20191118T210000
DTSTAMP:20260403T224404
CREATED:20191001T173347Z
LAST-MODIFIED:20191106T200437Z
UID:5511-1574105400-1574110800@greenwichhouse.org
SUMMARY:Latin American Cultural Week: "Oygan una Xacarilla"
DESCRIPTION:Greenwich House Music School is hosting three concerts during Latin American Cultural Week. \nListen to Xacarilla! A trip between Spain and the Americas\, Harmonia del Parnàs’ “Oygan una xacarilla” proposes a round trip through the sounds of the Spanish and European musicians traveling to America during the colonial period. \nMusical sources from overseas and compositions created by autochthonous authors will showcase the western intellectual music along the peculiarities of the rhythms and melodies of indigenous instruments.\n\nVocal and instrumental works of Spanish and colonial music by authors such as Pedro Ximénez\, José de Orejón and Aparicio\, Rafael Antonio Castellanos\, José Pradas Gallén\, Pedro Rabassa\, Francisco Hernández Illana and many more.
URL:https://greenwichhouse.org/event/latin-american-cultural-week-oygan-una-xacarilla/
LOCATION:Renee Weiler Concert Hall\, 46 Barrow Street\, New York\, NY\, 10014\, United States
CATEGORIES:Music School
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/10/Armonias-del-Parnas.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T173000
DTEND;TZID=America/New_York:20191114T183000
DTSTAMP:20260403T224404
CREATED:20191010T154418Z
LAST-MODIFIED:20200227T021555Z
UID:5630-1573752600-1573756200@greenwichhouse.org
SUMMARY:GHP Glaze Clinics
DESCRIPTION:Glaze Clinics will take place on Thursday\, November 14. Meet in the glaze area at 5:30. Bring a bisque piece for hands on help and brush up on your glazing basics. Open to all currently registered students\, just show up!
URL:https://greenwichhouse.org/event/glaze-clinics-3/
LOCATION:NY
CATEGORIES:Pottery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191114T143000
DTEND;TZID=America/New_York:20191114T153000
DTSTAMP:20260403T224404
CREATED:20191010T154445Z
LAST-MODIFIED:20200227T021613Z
UID:5632-1573741800-1573745400@greenwichhouse.org
SUMMARY:GHP Glaze Clinics
DESCRIPTION:Glaze Clinics will take place on Thursday\, November 14. Meet in the glaze area at 2:30. Bring a bisque piece for hands on help and brush up on your glazing basics. Open to all currently registered students\, just show up!
URL:https://greenwichhouse.org/event/glaze-clinics-4/
LOCATION:NY
CATEGORIES:Pottery
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191111T193000
DTEND;TZID=America/New_York:20191111T210000
DTSTAMP:20260403T224404
CREATED:20191001T172859Z
LAST-MODIFIED:20191106T200510Z
UID:5509-1573500600-1573506000@greenwichhouse.org
SUMMARY:Latin American Cultural Week: Terra Nostra Ensemble
DESCRIPTION:Greenwich House Music School is hosting three concerts during Latin American Cultural Week. \nTerra Nostra Ensemble will present a concert featuring the Suite Terra Nostra consisting of original arrangements of traditional songs from Spain and different countries in Latin-America\, as well as the newly-published and edited version of the Piano Quintet Op. 49 by Enrique Granados. \nJackson Guillen\, Mauricio Oliveros: violins  \nRainey Weber\, viola Mayara Velasquez: cello  \nYanira Soria: piano \nSpecial guest: Eddy Marcano\, violin
URL:https://greenwichhouse.org/event/latin-american-cultural-week-terra-nostra-ensemble/
LOCATION:Renee Weiler Concert Hall\, 46 Barrow Street\, New York\, NY\, 10014\, United States
CATEGORIES:Music School
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/10/Terra-NostraLOW.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191111T180000
DTEND;TZID=America/New_York:20191111T220000
DTSTAMP:20260403T224404
CREATED:20190906T184843Z
LAST-MODIFIED:20200227T021650Z
UID:5253-1573495200-1573509600@greenwichhouse.org
SUMMARY:GHP Closed
DESCRIPTION:GHP will be closed today in observation of Veteran’s Day.\nFor more information\, visit Pottery Notes or Open Studio Hours on the Current Students section of our website.
URL:https://greenwichhouse.org/event/ghp-closed-nov-11/
LOCATION:Greenwich House Pottery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/07/Greenwich-House-Pottery-Sign.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191110T163000
DTEND;TZID=America/New_York:20191110T180000
DTSTAMP:20260403T224404
CREATED:20191001T172336Z
LAST-MODIFIED:20191106T200621Z
UID:5504-1573403400-1573408800@greenwichhouse.org
SUMMARY:Latin American Cultural Week: Recital Sonidos De Latinoamerica
DESCRIPTION:Greenwich House Music School is hosting three concerts during Latin American Cultural Week. \nSounds of America is a beautiful journey through the immense geography of Latin American music through the violin and the guitar! Giving life to great composers such as Carlos Gardel\, Astor Piazzolla\, Luis Laguna\, Henry Martínez\, and Rafael Hernández among others. \nIn combination of an exquisite taste in the arrangements and colors achieved by this successful fusion of the extraordinary virtuosos Eddy Marcano on the Violin and Jorge Polanco on the Guitar and the cuatro.
URL:https://greenwichhouse.org/event/latin-american-cultural-week-recital-sonidos-de-latinoamerica/
LOCATION:Renee Weiler Concert Hall\, 46 Barrow Street\, New York\, NY\, 10014\, United States
CATEGORIES:Music School
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/10/eddy-2019LOW.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191110T073000
DTEND;TZID=America/New_York:20191110T104500
DTSTAMP:20260403T224404
CREATED:20190719T174517Z
LAST-MODIFIED:20190917T155818Z
UID:3726-1573371000-1573382700@greenwichhouse.org
SUMMARY:Fund for Fun
DESCRIPTION:Help support Greenwich House After-School and Summer Arts Camp by joining us for the Fund For Fun 5K Walk/Run! The event features a professional pre-race warm-up and stretch\, a professional announcer\, live DJ\, one of a kind Greenwich House event gear and awards. \nYou can also win great prizes! \n\nIf you register by October 4th\, your name will be entered in a drawing to win a 3 hour Rooftop Party for adults or Dodgeball Party for up to 20 kids on a Saturday or Sunday\nIf you raise $1\,000 or more\, you will receive 2 VIP tickets to Taste of Greenwich House\, March 10th\, 2020 from 6:30-9:30\, valued at $600.\nIf you raise $1\,500 or more\, you will receive the VIP tickets to Taste of Greenwich House AND one free week of Summer Arts Camp\, total value of $1\,120\n\nTo participate\, each walker or runner is responsible for raising a minimum of $220 as well as paying a registration fee of $25.
URL:https://greenwichhouse.org/event/fund-for-fun/
LOCATION:NY
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/04/4-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191109T200000
DTEND;TZID=America/New_York:20191109T220000
DTSTAMP:20260403T224404
CREATED:20191023T173051Z
LAST-MODIFIED:20191025T152352Z
UID:5688-1573329600-1573336800@greenwichhouse.org
SUMMARY:Sound It Out: Francisco Mela's MTP Trio with Cooper-Moore
DESCRIPTION:Drummer-bandleader Francisco Mela – who has thrilled Sound It Out audiences in multiple shows\, including both sold-out “Monk on Guitars” fundraisers in the series – returns to Greenwich House to lead his own inventive MPT Trio with saxophonist Hery Paz and guitarist Juanma Trujillo\, plus special guest Cooper-Moore on piano/percussion. \nMela – who has been described as “one of the most important Cuban drummers in jazz” by JazzTimes\, with a style that’s “expressive” and “expansive” according to All About Jazz – has played with the heavy-weight likes of McCoy Tyner\, Joe Lovano\, John Scofield\, Jason Moran\, Chucho Valdés\, Mark Turner\, Lionel Loueke and Kris Davis. The iconic pianist Tyner has said: “Mela is just a fantastic player. He has his own style and his own sound.” \nTickets are $15 at the door.
URL:https://greenwichhouse.org/event/sound-it-out-francisco-melas-mtp-trio-with-cooper-moore/
LOCATION:Renee Weiler Concert Hall\, 46 Barrow Street\, New York\, NY\, 10014\, United States
CATEGORIES:Music School
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/10/copy-of-mpt-trio.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191107
DTEND;VALUE=DATE:20191128
DTSTAMP:20260403T224404
CREATED:20191021T170728Z
LAST-MODIFIED:20191021T170728Z
UID:5672-1573084800-1574899199@greenwichhouse.org
SUMMARY:Seniors Art Show
DESCRIPTION:  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \n  \nJoin us at an exhibit of over 25 pieces of our senior members’ visual artwork\, managed and curated entirely by a committee of senior volunteers! There will be an opening reception on Thursday\, November 7th from 2:30 – 4:30 p.m. and the show will be on view through November 27th.
URL:https://greenwichhouse.org/event/seniors-art-show/
LOCATION:Center on the Square\, 20 Washington Square N.\, New York\, NY\, 10011\, United States
CATEGORIES:Exhibition,Older Adult Network
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/IMG_20190502_153254216-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191105T183000
DTEND;TZID=America/New_York:20191105T203000
DTSTAMP:20260403T224404
CREATED:20190913T200230Z
LAST-MODIFIED:20211028T141348Z
UID:5384-1572978600-1572985800@greenwichhouse.org
SUMMARY:Play it Forward
DESCRIPTION:An intimate evening of music at the home of Mark Rudd and Tracy Dockray in Greenwich Village to support the Greenwich House Music School Scholarship Fund. This year’s performance features \nRavi Coltrane\nand\nBrandee Younger\nwith Rashaan Carter\nThe evening begins with performances from some of Greenwich House Music School’s students who have received scholarships. \nCatering is provided by Little Owl\, and guests can enjoy fine wine from the private collection of Mark Rudd and Tracy Dockray. \n \n\n \nRavi Coltrane\, the second son of John Coltrane and Alice Coltrane\, is a critically acclaimed Grammy nominated saxophonist\, bandleader\, and composer. In the course of a twenty-plus year career\, Mr. Coltrane has worked as a sideman to many\, recorded noteworthy albums for himself and others and founded a prominent independent record label\, RKM. \nRavi’s latest album\, Spirit Fiction\, was released in June of 2012 for the Blue Note label. Additional credits include performances as well as recordings with Elvin Jones\, Terence Blanchard\, Kenny Baron\, Steve Coleman\, McCoy Tyner\, Jack DeJohnette\, Matt Garrison\, Jeff ‘Tain’ Watts\, Geri Allen\, Joanne Brackeem\, The Blue Note 7\, among others. He is a co-leader of the Saxophone Summit with Joe Lovano and Dave Liebman. \nRavi lives in Brooklyn\, NY and maintains a fast paced touring\, recording\, composing and performance schedule. He leads the effort to restore the John Coltrane Home in Dix Hills\, Long Island and presides over important reissues of his parent’s recordings. \nHarpist Brandee Younger is a classically-trained musician playing in the avant-garde tradition of her sonically forward predecessors Dorothy Ashby and Alice Coltrane. As well versed in performance art as she is in the art of creative risk-taking\, Brandee Younger challenges commonly-held notions in her quest to make the harp a more relevant force in today’s music. \nMs. Younger’s ability to seamlessly inject the harp into arrangements and venues where it has been overlooked is a testament to her dedication to the instrument. She delivers a consistently fresh take on the timeless instrument as a performer and leader of the Brandee Younger Quartet. Known for expressive interpretations of traditional harp repertoire as well as her continuing work with a diverse cross-section of musical talents\, Brandee is a creative linchpin whose nuanced presence and willingness to push boundaries makes her irreplaceable on record and in performance. \nShe has graced the stage with jazz leaders and popular hip-hop and r&b titans including Ravi Coltrane\, Pharoah Sanders\, Jack Dejohnette\, Reggie Workman\, Common\, Salaam Remi\, John Legend\, Maxwell and Lauryn Hill. Her fourth album Soul Awakening was released in June of 2019 and her original composition “Hortense” can be heard on the original Netflix Concert-Documentary by Beyoncé; Homecoming. \n 
URL:https://greenwichhouse.org/event/play-it-forward/
LOCATION:NY
CATEGORIES:Music School
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/09/Ravi-Coltrane.jpg
ORGANIZER;CN="Greenwich House Music School":MAILTO:music@greenwichhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191102T200000
DTEND;TZID=America/New_York:20191102T220000
DTSTAMP:20260403T224404
CREATED:20191008T145115Z
LAST-MODIFIED:20191008T145115Z
UID:5561-1572724800-1572732000@greenwichhouse.org
SUMMARY:Zodiac Quartet Album Release Concert
DESCRIPTION:Tonight\, Zodiac Saxophone Quartet – Charles Waters\, Claire Daly\, Ras Moshe\, Lee Odom – celebrates the release of their debut album Star Charts (NuBoutique 03)\, featuring all original compositions by Waters specifically composed for Zodiac. \nFeaturing lush compositions paired with highly advanced solo and group improvisations\, these works reflect the chamber jazz sound of powerful new ensemble. \nZodiac will perform perform two sets of new compositions\, of which Waters has composed over 70 works for the ensemble in the last two years. The works highlight the unique approach to saxophonic sounds and special telepathy that exists between members who have worked together for many years in various ensemble and solidified within the quartet. Expect a special evening of music and a few surprises. \n$15 General Admission \n$10 Students and Seniors \nTickets available at the door
URL:https://greenwichhouse.org/event/zodiac-quartet-album-release-concert/
LOCATION:Renee Weiler Concert Hall\, 46 Barrow Street\, New York\, NY\, 10014\, United States
CATEGORIES:Music School
ORGANIZER;CN="Greenwich House Music School":MAILTO:music@greenwichhouse.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191102T160000
DTEND;TZID=America/New_York:20191102T170000
DTSTAMP:20260403T224404
CREATED:20190903T162945Z
LAST-MODIFIED:20190903T162945Z
UID:5162-1572710400-1572714000@greenwichhouse.org
SUMMARY:Mozart for Munchkins Kings County Brass
DESCRIPTION:Brooklyn’s own Kings County Brass invites you to the Circus to meet the wild animals of the brass quintet. With music ranging from a multi movement Children’s Circus to a narrator led adventure of a Dragon\, the quintet will introduce the audience to each instrument of the brass quintet with an accompanying musical story. You will hear fanfares\, a jazzy swing tune\, familiar melodies like This Old Man\, and a few exciting special surprises to keep you guessing what’s up next. \nMfM creates an interactive and engaging atmosphere in which families can experience and enjoy music! Children of all ages are welcome to roll\, crawl\, squeal\, and dance to their hearts’ content\, while parents\, grandparents\, and caregivers can sit back and unwind. While the setting is informal\, the programming remains first rate; from Bach to Bernstein\, Beethoven to Barber\, Mozart for Munchkins features outstanding works performed by exceptional musicians—an unforgettable experience for the whole family! \nEach interactive performance is followed by an “instrument petting zoo” where everyone is welcome to try the instruments and meet the performers! \nKids under 12 are free!
URL:https://greenwichhouse.org/event/mozart-for-munchkins-kings-county-brass/
LOCATION:Renee Weiler Concert Hall\, 46 Barrow Street\, New York\, NY\, 10014\, United States
CATEGORIES:Music School
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/09/126.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191101T193000
DTEND;TZID=America/New_York:20191101T210000
DTSTAMP:20260403T224404
CREATED:20191002T152856Z
LAST-MODIFIED:20191002T152856Z
UID:5531-1572636600-1572642000@greenwichhouse.org
SUMMARY:"Our Band" Album Release Concert with Special Guest David Amram
DESCRIPTION:Our Band will win your heart. Steeped in the tradition of great male and female duets such as Johnny Cash and June Carter\, Sasha Papernik and Justin Poindexter bring their award-winning songwriting\, intimate harmonies\, and Eastern-European flair to a rich Americana soundscape. Together\, they have performed for audiences in some of the world’s greatest venues\, from Carnegie Hall to Lincoln Center to the Smithsonian Museum of American Art. In 2018-19 they toured Poland\, Germany and Estonia as ambassadors of American music for the U.S. State Department. \nThis concert will celebrate the release of Our Band’s debut album\, Bright as You. Showcasing the pair’s soulful\, intelligent songcraft and lush analog harmonies\, Bright as You is produced by Brookyln Indie dynamo Sam Owens (aka Sam Evian) and features instrumental contributions from American music legend David Amram. Containing twelve original compositions and a tour de force reworking of the traditional “Wildwood Flower” and Tom Petty’s iconic “Wildflowers\,” Bright as You alternately caresses and bounces along a whirring road trip of mystic Americana. \nWith Scott Colberg\, bass; Oliver Beardsley\, drums; and special guest David Amram
URL:https://greenwichhouse.org/event/our-band-album-release-concert-with-special-guest-david-amram/
LOCATION:Renee Weiler Concert Hall\, 46 Barrow Street\, New York\, NY\, 10014\, United States
CATEGORIES:Music School
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/10/ourband.amramtall.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191011T170000
DTEND;TZID=America/New_York:20191108T180000
DTSTAMP:20260403T224404
CREATED:20190920T162943Z
LAST-MODIFIED:20240604T185004Z
UID:5438-1570813200-1573236000@greenwichhouse.org
SUMMARY:Breaking the Plane\, Shannon Goff\, Peter Christian Johnson\, Lauren Mabry
DESCRIPTION:From left to right: Shannon Goff\, Sourpuss\, 2015; Lauren Mabry\, Lasso\, 2019; Peter Christian Johnson\, Jilted\, 2019. \nBreaking the Plane\nShannon Goff\, Peter Christian Johnson\, Lauren Mabry\nOpening Reception | Friday\, October 11\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through November 8\, 2019 \nThe Jane Hartsook Gallery is pleased to present Breaking the Plane\, an exhibition of new work by Shannon Goff\, Peter Christian Johnson\, and Lauren Mabry. This show brings together three artists who are using clay and glaze to create lines that cannot be confined to two-dimensions. Goff and Mabry challenge the fundamentally two-dimensional form of the line by using clay to draw in the round. Mabry and Johnson thwart expectations by separating glaze from the ceramic surface and giving it volumetric form\, while Goff and Johnson use a density of three-dimensional lines to give their “drawings” mass. \nShannon Goff’s ceramic work embraces abstraction and is heavily rooted in the practice of drawing. Through continued experimentation\, she strives to repurpose the perceived limits of her medium into possibilities. Goff begins her sculptures as meditative doodles\, but current events and images often co-opt them. She addresses themes of containment\, collapse\, landscape\, and structure in these sculpted drawings with an aesthetic sensibility that often belies the seriousness of her subject matter. Drawing out loud helps Goff understand how to best navigate the built and natural environments of contemporary society’s tumultuous terrain. \nPeter Christian Johnson creates architecturally-inspired material studies that represent the tragic beauty he sees as the human condition. He laboriously sketches out scaffolding in porcelain\, encouraging it to warp in the kiln by using the weight of volumetric glaze to collapse and shift the finished object. For Johnson\, the collapsing forms evoke a sense of sorrow and distortion that is emblematic of the various burdens we carry. \nLauren Mabry uses clay and glaze to draw and paint in three dimensions\, creating a feeling of mystery and surprise that forces every viewer—no matter their ceramic knowledge—to engage with the material and try to piece together her making process. Mabry likens her process to building with Tinkertoys. She extrudes coils and fires them\, using wet clay to connect the hard pieces and firing them again before adding rings of pure glaze. Over time Mabry has been learning how to anticipate the distortion the kiln introduces in her work\, but the process will always remain a careful balance between intentionality and the freedom of surprise. \nDownload the press release here. \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2019.
URL:https://greenwichhouse.org/event/breaking-the-plane/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Breaking-the-Plane-Combination-Press-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191011T170000
DTEND;TZID=America/New_York:20191011T190000
DTSTAMP:20260403T224404
CREATED:20190604T205125Z
LAST-MODIFIED:20240604T185002Z
UID:2060-1570813200-1570820400@greenwichhouse.org
SUMMARY:Opening Reception for Breaking the Plane
DESCRIPTION:From left to right: Shannon Goff\, Sourpuss\, 2017; Lauren Mabry\, Lasso\, 2019; Peter Christian Johnson\, Jilted\, 2019. \nBreaking the Plane\nShannon Goff\, Peter Christian Johnson\, Lauren Mabry\nOpening Reception | Friday\, October 11\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through November 8\, 2019 \nThe Jane Hartsook Gallery is pleased to present Breaking the Plane\, an exhibition of new work by Shannon Goff\, Peter Christian Johnson\, and Lauren Mabry. This show brings together three artists who are using clay and glaze to create lines that cannot be confined to two-dimensions. Goff and Mabry challenge the fundamentally two-dimensional form of the line by using clay to draw in the round. Mabry and Johnson thwart expectations by separating glaze from the ceramic surface and giving it volumetric form\, while Goff and Johnson use a density of three-dimensional lines to give their “drawings” mass. \nShannon Goff’s ceramic work embraces abstraction and is heavily rooted in the practice of drawing. Through continued experimentation\, she strives to repurpose the perceived limits of her medium into possibilities. Goff begins her sculptures as meditative doodles\, but current events and images often co-opt them. She addresses themes of containment\, collapse\, landscape\, and structure in these sculpted drawings with an aesthetic sensibility that often belies the seriousness of her subject matter. Drawing out loud helps Goff understand how to best navigate the built and natural environments of contemporary society’s tumultuous terrain. \nPeter Christian Johnson creates architecturally-inspired material studies that represent the tragic beauty he sees as the human condition. He laboriously sketches out scaffolding in porcelain\, encouraging it to warp in the kiln by using the weight of volumetric glaze to collapse and shift the finished object. For Johnson\, the collapsing forms evoke a sense of sorrow and distortion that is emblematic of the various burdens we carry. \nLauren Mabry uses clay and glaze to draw and paint in three dimensions\, creating a feeling of mystery and surprise that forces every viewer—no matter their ceramic knowledge—to engage with the material and try to piece together her making process. Mabry likens her process to building with Tinkertoys. She extrudes coils and fires them\, using wet clay to connect the hard pieces and firing them again before adding rings of pure glaze. Over time Mabry has been learning how to anticipate the distortion the kiln introduces in her work\, but the process will always remain a careful balance between intentionality and the freedom of surprise. \nDownload the press release here.
URL:https://greenwichhouse.org/event/opening-reception-for-breaking-the-plane/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190907T150000
DTEND;TZID=America/New_York:20190907T170000
DTSTAMP:20260403T224404
CREATED:20190604T202216Z
LAST-MODIFIED:20240604T185000Z
UID:2053-1567868400-1567875600@greenwichhouse.org
SUMMARY:Artist Reception for Touching Time
DESCRIPTION:Works in progress\, 2019. Photo: courtesy of the artist. \nTouching Time\nChristopher Staley\nOpening Reception | Saturday\, September 7\, 2019 | 3:00 – 5:00 p.m.\nExhibition on view through September 27\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Christopher Staley. In the artist’s first solo exhibition in 10 years\, Staley uses introspection to locate creativity and selfhood within his artistic process. The work in this exhibition was inspired by Staley’s 2019 return to the Archie Bray Foundation and Greenwich House Pottery—two ceramics centers that had a significant impact on his career—30 years after he first encountered them. Re-encountering these spaces made Staley reconsider how his life experience has affected his work. Like the Process Artists of the ‘60s and ‘70s\, he began to reevaluate where “art” occurred in his making process. Was it the finished object or the steps along the way? By analyzing his work as metaphor and interrogating his creative process\, Staley leads by example and encourages other artists to do the same\, raising the question: Are the objects in this exhibition the art\, or is the introspection Staley sparks in others his true art? \nChristopher Staley is an artist based out of Pennsylvania. He has been a Professor of Ceramic Art at Penn State University since 1990. He received his MFA from Alfred University and his BFA from Wittenberg University. Staley has shown his work across the United States\, including at Museum of Contemporary Crafts (Portland\, OR; 2013) Santa Fe Clay Gallery (Santa Fe\, NM; 2009)\, and Garth Clark Gallery (New York\, NY; 2000). He has been artist in residence at Ceramic Art Museum (Fuping\, China; 2007)\, EKWC (The Netherlands\, 2005)\, and the Archie Bray Foundation (Helena\, MT; 2019\, 2004\, 1998-99). Staley has previously served as President of the National Council on Education of the Ceramic Arts (2016)\, on the Board of Directors for Haystack School of Crafts (Deer Isle\, ME; 2005-14)\, and on the Advisory Board for Watershed Center for the Ceramic Arts (Edgecomb\, ME; 1991-94).
URL:https://greenwichhouse.org/event/closing-reception-for-touching-time/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Chris-Staley-Works-in-Progress.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190830T120000
DTEND;TZID=America/New_York:20190927T180000
DTSTAMP:20260403T224404
CREATED:20190604T201822Z
LAST-MODIFIED:20240604T184959Z
UID:2048-1567166400-1569607200@greenwichhouse.org
SUMMARY:Touching Time\, Christopher Staley
DESCRIPTION:Works in progress\, 2019. Photo: courtesy of the artist. \nTouching Time\nChristopher Staley\nOpening Reception | Saturday\, September 7\, 2019 | 3:00 – 5:00 p.m.\nExhibition on view through September 27\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Christopher Staley. In the artist’s first solo exhibition in 10 years\, Staley uses introspection to locate creativity and selfhood within his artistic process. The work in this exhibition was inspired by Staley’s 2019 return to the Archie Bray Foundation and Greenwich House Pottery—two ceramics centers that had a significant impact on his career—30 years after he first encountered them. Re-encountering these spaces made Staley reconsider how his life experience has affected his work. Like the Process Artists of the ‘60s and ‘70s\, he began to reevaluate where “art” occurred in his making process. Was it the finished object or the steps along the way? By analyzing his work as metaphor and interrogating his creative process\, Staley leads by example and encourages other artists to do the same\, raising the question: Are the objects in this exhibition the art\, or is the introspection Staley sparks in others his true art? \nChristopher Staley is an artist based out of State College\, PA. He has been a Professor of Ceramic Art at Penn State University since 1990. He received his MFA from Alfred University and his BFA from Wittenberg University. Staley has shown his work across the United States\, including at Museum of Contemporary Crafts (Portland\, OR; 2013) Santa Fe Clay Gallery (Santa Fe\, NM; 2009)\, and Garth Clark Gallery (New York\, NY; 2000). He has been artist in residence at FuLe International Ceramic Art Museum (Fuping\, China; 2007)\, EKWC (Oisterwijk Netherlands; 2005) and the Archie Bray Foundation (Helena\, MT; 2019\, 2004\, 1998-99). Staley has previously served as President of the National Council on Education for the Ceramic Arts (NCECA) (2016-18)\, on the Board of Directors for Haystack Mountain School of Crafts (Deer Isle\, ME; 2005-14) and on the Advisory Board for Watershed Center for the Ceramic Arts (Newcastle\, ME; 1991-94). \nDownload the press release here. \nJoin us for a one-day workshop with Christopher Staley. Register here. \nImages: © Alan Wiener\, courtesy Greenwich House Pottery 2019.
URL:https://greenwichhouse.org/event/touching-time-christopher-staley/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Chris-Staley-Works-in-Progress.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190802T140000
DTEND;TZID=America/New_York:20190802T150000
DTSTAMP:20260403T224404
CREATED:20190724T135426Z
LAST-MODIFIED:20240604T184957Z
UID:3792-1564754400-1564758000@greenwichhouse.org
SUMMARY:Kari Marboe Artist Talk
DESCRIPTION:Kari Maboe will give a talk about the work she has been developing during her fellowship at Greenwich House Pottery. \nKari Marboe uses her artwork to engage communities with each other and with the past by delving into archives and using digital tools to present her research in clay. She is working on a collaborative exhibition project called “Duplicating Daniel” with the Mills College Art Museum\, which will be on view at the museum January 22–March 15\, 2020. The project records Marboe’s attempts to “return” a Daniel Rhodes sculpture that is missing from the museum’s archives based on the only remaining evidence of it: a blurry photograph and its accession information. \nDaniel Rhodes (1922–1988) was a ceramic artist who taught at Alfred University for 25 years and is probably best known for writing “Clay and Glazes for the Potter” (1957). His history overlaps with Greenwich House Pottery’s several times: he had an exhibition at GHP in 1962\, one of his sculptures was part of GHP’s permanent collection\, and he taught Minnie Negoro (GHP faculty\, 1963–1965) ceramics while she was interned at Wyoming’s Heart Mountain Relocation Center. Marboe has used her fellowship at the Pottery to look into our archive and further investigate the connection between Rhodes and GHP to inform her “Duplicating Daniel” project. \nSeats are limited.\nPlease register to RSVP.\nThis event is free and open to the public.
URL:https://greenwichhouse.org/event/kari-marboe-artist-talk/
LOCATION:Greenwich House Pottery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Talk
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/Fellow-is-In.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T170000
DTEND;TZID=America/New_York:20190614T180000
DTSTAMP:20260403T224404
CREATED:20190415T164517Z
LAST-MODIFIED:20240604T184955Z
UID:954-1558112400-1560535200@greenwichhouse.org
SUMMARY:Lay Me in a Hot Bed and Try Not to Drown\, Joanna Powell
DESCRIPTION:Left to right: Flower Vessel no. 1 and Fruit Vessel with Bangles\, ceramic\, 2019. Photo: courtesy of Greenwich House Pottery. Photographer: Alan Wiener. \nLay Me in a Hot Bed and Try Not to Drown\nJoanna Powell\nOpening Reception | Friday\, May 17\, 2019 | 5:00  – 7:00 p.m.\nExhibition on view through June 14\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Joanna Powell. Lay Me in a Hot Bed and Try Not to Drown\, Powell’s New York City debut\, was inspired by the harrowing experience of returning to Dallas after her mother’s death. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks how those humid Dallas nights felt\, trying to fall asleep despite the crush of emotion and thick summer air\, and what it means to have common experiences without actually being able to share them. \nPowell’s work is joyful while retaining a sense of loss. Infinite black backgrounds make intense colors pop with life\, and white vessels are washed in color. Pots and paintings alike are lush with beautiful plant life whose fruit and flowers promise plenty that they ultimately cannot fulfill. Joy and pain are present in Powell’s work in a way that welcomes viewers to contemplate their experiences with loss without dictating their responses. \nJoanna Powell (b. 1981\, Dallas\, TX) holds an MFA from the University of Colorado\, Boulder and a BFA from The University of North Texas in Denton. Powell has exhibited her work throughout the United States. Her most recent solo exhibition\, Everything Belongs to You\, was held at the Denison Art Space in Newark\, OH. In 2015\, Powell was granted an Emerging Artist Award from the National Council on Education for the Ceramic Arts (NCECA). She has been a resident artist at the Archie Bray Foundation (Helena\, MT); Haystack Mountain School of Crafts (Deer Isle\, ME); Alfred University (NY); Kansas State University (Manhattan\, KS) and Denison University (Granville\, OH). Currently she lives in Helena\, MT and is a full-time studio artist and travelling lecturer.
URL:https://greenwichhouse.org/event/joanna-powell-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T153000
DTEND;TZID=America/New_York:20190517T163000
DTSTAMP:20260403T224404
CREATED:20190415T164243Z
LAST-MODIFIED:20240604T184954Z
UID:949-1558107000-1558110600@greenwichhouse.org
SUMMARY:GHP Artist Talk: Joanna Powell
DESCRIPTION:Joanna Powell will give an artist talk. Powell will discuss her past work and her New York debut exhibition\, Lay Me in a Hot Bed and Try Not to Drown. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks what it means to have common experiences without actually being able to share them.\n\n\nJoanna Powell is an artist based out of Helena\, Montana. She received her MFA in ceramics from the University of Colorado\, Boulder and her BFA in ceramics from the University of North Texas. She was an artist in residence at the Archie Bray Foundation and has had solo and group exhibitions at University of Wisconsin-River Falls (River Falls\, WI; 2019)\, Denison Artspace (Newark\, OH; 2016)\, Hoffman Gallery (Portland\, OR; 2018)\, and The Clay Studio (Philadelphia\, PA; 2013)\, among others.\nThis event is free and open to the public.\nSeats are limited. Please register to RSVP.
URL:https://greenwichhouse.org/event/ghp-artist-talk-joanna-powell/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190412T170000
DTEND;TZID=America/New_York:20190503T180000
DTSTAMP:20260403T224404
CREATED:20190604T211809Z
LAST-MODIFIED:20240604T184952Z
UID:2097-1555088400-1556906400@greenwichhouse.org
SUMMARY:GHP Artists Exhibition 2019
DESCRIPTION:Left to right: Maggie Wells\, Untitled\, and James Wawrzewski\, Wooden Box. Photo: Ann Treesa Joy. \nGHP Artists Exhibition\nOpening Reception | Friday\, April 12\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through May 3\, 2019 \nThe Jane Hartsook Gallery is pleased to present an exhibition recognizing the distinguished artists who contribute to the Greenwich House Pottery community. This exhibition showcases the artistic range of GHP’s makers\, each of whom uses the Pottery’s extensive resources to express their own creative voice in clay. From functional ceramics to sculpture\, this exhibition is as diverse as the artists themselves. \nGHP is the oldest non-profit in the country dedicated to the inquiry and advancement of the ceramic arts. Key to the development of technical skills and innovation\, GHP provides an all-encompassing educational program for over 1260 students annually. Artists and students learn from professional faculty and staff proficient in a range of topics from wheel throwing\, hand-building and paper clay to glaze chemistry and slip casting. GHP also hosts workshops and lectures by leading ceramic artists from around the country as well as offering teens and children the opportunity to work in clay through Greenwich House’s Afterschool Program. The artists in this exhibition represent the continuous achievement\, exploration and passion for ceramic arts that GHP has fostered for over 110 years.
URL:https://greenwichhouse.org/event/ghp-artists-exhibition-2/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP-Artist-Exhibition-2019-Press-Release-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190222T170000
DTEND;TZID=America/New_York:20190322T180000
DTSTAMP:20260403T224404
CREATED:20190604T211927Z
LAST-MODIFIED:20240604T184949Z
UID:2099-1550854800-1553277600@greenwichhouse.org
SUMMARY:Untitled (Billy Wilder doesn’t drink green tea) 2019\, Rirkrit Tiravanija
DESCRIPTION:Untitled (Billy Wilder doesn’t drink green tea) 2019\, 2019. Photo: courtesy of Greenwich House Pottery. Photographer: Alan Wiener. \nUntitled (Billy Wilder doesn’t drink green tea) 2019\nRirkrit Tiravanija\nOpening Reception | Friday\, February 22\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through March 22\, 2019\n \nThe Jane Hartsook Gallery is pleased to present new work by Rirkrit Tiravanija. Tiravanija has transformed the gallery into a familiar environment that invites visitors to take a minute to sit\, relax\, have a drink and contemplate pottery. Tiravanija is known for creating similar installations and events that emphasize social engagement\, as well as his traditional material-based art.  He made a name for himself in the early ’90s by eschewing typical visual arts practices and engaging audiences by cooking for them. He has continued this practice throughout the decades in nearly all subsequent installations and exhibitions\, including during his 2017 residency at Greenwich House Pottery—cooking 3-inch thick porterhouse steak in his thrown custom-formulated flameware to make lunch for the Pottery’s community. In Untitled (Billy Wilder doesn’t like green tea) 2019\, Tiravanija once again brings his material-based artwork together with his social practice. \nBorn in Buenos Aires\, Argentina\, Tiravanija is a Thai artist widely recognized as one of the most influential artists of his generation. His work defies media-based description\, as his practice combines traditional object making\, public and private performances\, teaching\, and other forms of public service and social action. Tiravanija is on the faculty of the School of the Arts at Columbia University\, and is a founding member and curator of Utopia Station\, a collective project of artists\, art historians and curators. Tiravanija also helped establish an educational-ecological project known as The Land Foundation\, located in Chiang Mai\, Thailand. \nHe has had individual exhibitions at the following institutions: Garage Museum of Contemporary Art (Moscow\, Russia; 2015); Modern Art Museum of Fort Worth (TX; 2014); Yerba Buena Center for the Arts (San Francisco\, CA; 2013); Tate Modern (London\, United Kingdom; 2013); Singapore Art Museum (Singapore; 2012); Centre Pompidou (Paris\, France; 2012); Museum of Modern Art (New York\, NY; 2012); Bonniers Konsthall (Stockholm\, Sweden; 2011); Mildred Lane Kemper Art Museum (St. Louis\, MO; 2009); The Drawing Center (New York\, NY; 2008); among others. He has also participated in group exhibitions at the Sharjah Biennial (Sharjah\, United Arab Emirates; 2015); Venice Biennale (Venice\, Italy; 2015); the Hammer Museum (Los Angeles\, CA; 2014); the National Museum of Art\, Architecture and Design (Oslo\, Norway; 2014); the New Museum (New York\, NY; 2013); the Palais de Tokyo (Paris\, France; 2012); among many others.
URL:https://greenwichhouse.org/event/untitled-billy-wilder-doesnt-drink-green-tea-rirkrit-tiravanija-2/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Rirkrit-Tiravanija_Billy-Wilder-doesnt-drink-green-tea-2019.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181109T170000
DTEND;TZID=America/New_York:20181206T180000
DTSTAMP:20260403T224404
CREATED:20190610T181729Z
LAST-MODIFIED:20240604T184554Z
UID:2333-1541782800-1544119200@greenwichhouse.org
SUMMARY:In House\, GHP Faculty and Staff Exhibition
DESCRIPTION:Left: Elise Siegel\, Portrait Bust with Cobalt and White\, underglaze\, ceramic\, 2015. Photographer: Alan Wiener. Right top: Hiroe Hanazono\, Brunch Set\, porcelain\, 2017. Photo: courtesy of the artist. Right bottom: Pedro Ramirez\, Festuca\, ceramic\, clay\, grass\, 2015. Photo: courtesy of the artist. \nIn House\nGHP Faculty and Staff\nOpening Reception | Friday\, November 9\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through December 6\, 2018 \nThe Jane Hartsook Gallery is pleased to present a group exhibition showcasing the artwork of current Greenwich House Pottery faculty and staff. Approaching the ceramic medium from a wide range of sources and backgrounds\, this show is as varied and dynamic as its contributors. \nEstablished educators in the arts\, designers and working artists\, our faculty and staff have been involved in numerous public works projects as well as residencies at institutions such as: Archie Bray Foundation\, The Clay Studio\, Flux Factory\, The International Ceramic Research Center\, Haystack Mountain School and Sculpture Space NYC. Alma maters include Alfred University\, the Art Institute of Chicago\, California College of Arts and Crafts\, Cranbrook Academy of Art\, Pratt Institute\, University of the Arts and the School of Visual Arts. \nGHP faculty and staff have showed their work in numerous exhibitions and have work in public and private institutions across the United States and abroad\, including: Corcoran Gallery of Art\, Garth Clark Project Space\, Guggenheim Museum\, Los Angeles County Museum of Art\, Mint Museum of Art\, the Mississippi Museum of Art\, the Museum of Fine Arts Houston\, the Museum of Modern Art\, the Smithsonian Institution’s Renwick Gallery\, Taipei Museum of Fine Arts\, and the Whitney Museum. \nPARTICIPATING ARTISTS
URL:https://greenwichhouse.org/event/in-house-ghp-faculty-and-staff-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP-Artist-Exhibition-group.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180928T170000
DTEND;TZID=America/New_York:20181026T180000
DTSTAMP:20260403T224404
CREATED:20190610T181915Z
LAST-MODIFIED:20240604T184552Z
UID:2336-1538154000-1540576800@greenwichhouse.org
SUMMARY:Millennium Mambo\, Cristina Tufiño
DESCRIPTION:Saint Adelaide Patron Saint of Sex Workers and Freer of Those in Psychological Bondage\, ceramic\, underglaze\, 14 x 9 inches\, 2018. Courtesy of the artist and Galería Agustina Ferreyra. ©Cristina Tufiño. Photo: Alan Wiener. \nMillennium Mambo\nCristina Tufiño\nOpening Reception | Friday\, September 28\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through October 26\, 2018 \nThe Jane Hartsook Gallery is pleased to present new work by Cristina Tufiño. Tufiño is an interdisciplinary artist whose work draws on matriarchal power and sexuality. In this new body of sculptural work\, Tufiño develops the exploration she began in her video essay Dear Pilar (2018)\, using historical symbols and personal experiences to explore the tension between biographical representation\, memory and desire. This is the artist’s first solo exhibition. \nAppearing improvisational at first\, consideration shows how carefully Tufiño has layered historical reference with autobiographical imagery. A collection of cast ceramic keyboards\, cat heads\, fingers and pineapples stand out as the refuse of some past-present millennial culture\, waiting to be discovered by a future archeologist. The palette of the installation as a whole is sourced from the vibrant colors of ancient Greek statues before they were eroded by time. The embracing sphinxes twine together the disparate histories of Ancient Egypt\, French Egyptian Revival furniture and the vernacular art of Las Vegas architecture and tourist souvenirs. \nTufiño connects these broader historical references to her personal experience\, juxtaposing archeological references with images of her childhood home in San Juan\, Puerto Rico\, her travels to Tokyo\, Japan and her visits to the lush gardens of the Chateau de Fontainebleau in France. The ceramic polaroid picture wall reliefs are fragmented memories—both real and imagined from 2001—drawn from personal photographs\, found images of bar hostesses in Tokyo\, and women bored and drinking in bars or coming home to mundane lives. This collage of artifacts comes together as an imagined vision into the past through a future nostalgia\, a nostalgia that is sensual and bright despite its dark undertones. \nCristina Tufiño (b. 1982) was born in San Juan\, Puerto Rico and lives and works between Philadelphia\, PA and New York\, NY. Tufiño received her MFA from the University of Pennsylvania\, her BFA in photography from the Rhode Island School of Design\, and her BA in art history from the University of Puerto Rico. Her work has been shown in a number of solo\, two-person and group exhibitions including at: Knockdown Center (Queens\, NY; 2018)\, Galería Agustina Ferreyra (Mexico City\, Mexico; 2018)\, NADA NY (New York\, NY; 2017)\, The Hole (New York\, NY; 2018)\, Ruberta (Los Angeles\, CA; 2017) and Hidrante (San Juan\, Puerto Rico; 2016). Tufiño has won the ARTADIA Award (2016) and the Chenven Foundation Artist Grant (2016) and been artist in residence at the Loisaida Arts Center (New York\, NY; 2016) and the Skowhegan School of Painting and Sculpture (Madison\, ME; 2012).
URL:https://greenwichhouse.org/event/millennium-mambo-cristina-tufino/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Cristina-Tufino_Saint-Adelaide.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180713T170000
DTEND;TZID=America/New_York:20180914T180000
DTSTAMP:20260403T224404
CREATED:20190610T182149Z
LAST-MODIFIED:20240604T184550Z
UID:2339-1531501200-1536948000@greenwichhouse.org
SUMMARY:Ceramics Now 2018
DESCRIPTION:Mathew McConnell\, Untitled #1 from Today Won’t Remember (edition of 2)\, earthenware with bone charcoal and graphite\, 13” x 11” x 1”\, 2017/18. Photo: courtesy of Greenwich House Pottery. Photographer: Alan Wiener. \nCeramics Now\nNicolás Guagnini\, Samuel Johnson\, Pam Lins\, Linda Lopez\,\nMathew McConnell\, Eun-Ha Paek\, Rirkrit Tiravanija\nOpening Reception | Friday July 13\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through September 14\, 2018 \nThe Jane Hartsook Gallery is pleased to present work by our 2017-2018 artists in residence: Nicolás Guagnini\, Samuel Johnson\, Pam Lins\, Linda Lopez\, Mathew McConnell\, Eun-Ha Paek and Rirkrit Tiravanija. The Greenwich House Pottery residency is a distinguished program that fosters artistic growth by providing artists with a creative community\, time\, space\, material and technical skill to explore and generate new bodies of work in ceramics in the center of the art world. \nContemporary artist\, writer and filmmaker Nicolás Guagnini works across disciplines to engage with concepts of labor\, capital and masculinity. His exhibitions frequently mix mediums—ceramic sculptures are paired with books from his personal library\, flowers\, ink-soaked pedestals\, critical writing and unique text design—with every component adding a layer of meaning deeply tied to the project’s philosophical basis. Guagnini used his residency to work on large-scale ceramics sculpture. \nSamuel Johnson is a potter known for his woodfired utilitarian pottery. He sees the uneven shapes and dark varied surfaces of his finished work as a reflection of humanity’s capacity for reason and mathematical precision while simultaneously being half-wild\, full of biological and spiritual mysteries. Johnson is using his residency at GHP to develop new forms in utilitarian ceramics. \nPrimarily a sculptor\, Pam Lins works across disciplines using classical to contemporary art\, craft and design forms to question the nature of sculpture and materiality. During her residency\, Lins developed a collaborative project with artists Trisha Baga and Halsey Rodman and approximately 50 other artists to create and decorate ceramic and mixed-media artwork that will culminate in December at Greene Naftali Gallery in what Lins\, Baga and Rodman hope will be an unruly event that is simultaneously a party\, a play\, a show\, a cocktail lounge\, a conversation circle and a fundraiser. \nLinda Lopez creates sculptures that anthropomorphize the objects around us. She is perhaps best known for her “dust fury” sculptures\, round or oblong creatures composed of hundreds of drops of clay\, often sprinkled with gold luster nuggets of “lint.” Resisting the idea that objects are inanimate\, Lopez studies objects and their relationships to one another to discover their psychological states and personalities\, which she reveals in her work. Lopez continued this investigation during her residency. \nMathew McConnell uses his studio practice to explore concepts of authorship and to consider the developing art historical moment. McConnell begins with the work of other visual artists\, sometimes making what appear to be exact facsimiles of the works\, sometimes reinterpreting them beyond recognition\, but always with a mind towards understanding the moment at which the work becomes more his than theirs. McConnell’s 2016 solo show in the Jane Hartsook Gallery was hailed by art historian and critic Garth Clark as\, “a new benchmark for himself\, the field and the genre.” \nEun-Ha Paek is an animation filmmaker and illustrator based in Brooklyn\, NY who creates narratives that use humor to process the full range of human emotion. She brings the characters in these narratives into the physical world through ceramics\, creating sculptures that are familiar and yet strange—at times dark\, but always playful. As a fellow\, Paek considered the mutability of memory. She 3-D scanned and printed hand-built sculptures and then scanned and printed each subsequent iteration of the sculptures\, allowing the regular defaults in the process to accumulate. In the same way that parts of a memory gain or lose resolution over time\, the sculptures slowly mutated with each remaking. \nRirkrit Tiravanija is perhaps best known for creating installations and events that emphasize social engagement\, though he creates traditional material-based art as well. He made a name for himself in the early 90’s by eschewing typical visual arts practices and engaging audiences by cooking for them. He has continued this practice in relational aesthetics with subsequent installations\, and made it a part of his residency—cooking steak in his handmade flameware to make lunch for the Pottery’s community. Tiravanija used his time at GHP to expand his work on the potter’s wheel and experiment with forms based on the teabowl.
URL:https://greenwichhouse.org/event/ceramics-now-2018/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Mathew-McConnell_Untitled-1-from-Today-Wont-Remember-800px.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180506T140000
DTEND;TZID=America/New_York:20180608T180000
DTSTAMP:20260403T224404
CREATED:20190610T182451Z
LAST-MODIFIED:20240604T184548Z
UID:2342-1525615200-1528480800@greenwichhouse.org
SUMMARY:Chawan\, Tom Sachs
DESCRIPTION:Chawan Cabinet\, porcelain\, gold luster\, pine\, maple\, latex\, glass beads\, steel hardware\, epoxy resin\, Tru Vue Museum Glass\, 32″ x 32″ x 8″\, (ToS 80)\, S/N: 2018.124\, 2018. \nChawan\nTom Sachs\nOpening Reception | Sunday\, May 6\, 2018 | 2:00 – 4:00 p.m.\nExhibition on view through June 8\, 2018 \nThe Jane Hartsook Gallery is pleased to present new work by American sculptor Tom Sachs. Known for his dry wit\, this modern day chawan’ya observes\, “There comes a time in every middle-aged\, man’s life when he realizes that Japan is where it’s at… Mourning the loss of spirituality in our capitalist environment\, we admire Tea’s integration of humility\, prosperity\, and spirituality.” For Sachs\, that has meant making chawan\, or teabowls\, in addition to learning chanoyu \, the way of tea. In this exhibition\, Sachs has filled several tea cabinets with chawan and highlighted a number of “heroes\,” individual chawan that he sets apart as embodying a certain heighted “thingness.” \nThe way of tea serves to give meaning to the meaningless for Sachs\, and its ritual provides relief from the structure of society and the commitments one has to the world. He expresses this in his art by making ritualized objects to fill the void created by the purposeless production we encounter so often in daily life. Sachsturns to tea to reconcile his love of consumerism and his private quest for authenticity\, while his chanoyu is an “expression of how spirituality’s been replaced with consumerism\,” just as it was for the wildly revered tea master\, Sen no Rikyū (1522 – 1591). \nSachs is best known for his cultural prosthetics. Sculptures created using materials readily available or found—bricolage—his plywood\, boom boxes and NASA installations. A contrarian and provocateur whose humor and convictions are decidedly postmodern\, Sachs has an appetite for consumerism and cultural fetishization. Unlike much of contemporary theory\, Sachs embraces rather than disparages consumer culture. It is difficult to speak about the perils of society and the degradation of the environment while holding an iPhone. The rise of consumerism has cultivated an aloof criticality reluctant to see its irony revealed. It is impossible to discern whether Sachs is sincere about his sincerity—the critical\, academic\, leftist response would be to reject consumerism as unauthentic and bourgeois\, not to embrace it. Liminality is an overarching theme in his life and work: Sachs occupies the space between artist and manufacturer\, proletariat and bourgeoisie\, ascetic and materialist\, reality and make-believe. This is the second exhibition of Sachs’ chawans. Exhibited will be several cabinets of chawans and cups. Also on view will be several “hero” chawans. \nThe exhibition will be presented with the support of Salon 94. Tom Sachs (b. 1966\, New York) is a New York-based sculptor known for his work inspired by icons of modernism and design. Using modest studio materials\, Sachs creates parallel universes incorporating semi-functional sculpture\, sometimes deployed by the artist and his studio assistants for interactive projects as in Nutsy’s (2001–2003) and Space Program (2007\, 2012\, 2016–2017). His work is in the collections of the Museum of Modern Art (New York\, NY); the Metropolitan Museum of Art (New York\, NY); the Solomon R. Guggenheim Museum (New York\, NY); the Whitney Museum of American Art (New York\, NY); the J. Paul Getty Museum (Los Angeles\, CA); the Centre Georges Pompidou (Paris\, France); San Francisco Museum of Modern Art (San Francisco\, CA); and the Astrup Fearnley Museet for Moderne Kunst (Oslo\, Norway) among others. \nHe has had solo exhibitions at the Nasher Sculpture Center (Dallas\, TX; 2017–2018); Yerba Buena Center for the Arts (San Francisco\, CA; 2016–2017)\, Noguchi Museum (New York\, NY; 2016); the Brooklyn Museum (New York\, NY; 2016); the Contemporary (Austin\, TX; 2015); the Park Avenue Armory (New York\, NY; 2012); Aldrich Contemporary Art Museum (Ridgefield\, CT; 2009); Gagosian Gallery (Los Angeles\, CA; 2007); Lever House (New York\, NY; 2008); Fondazione Prada (Milan\, Italy; 2006); the Deutsche Guggenheim (Berlin\, Germany; 2003); the Bohen Foundation (New York\, NY; 2002); and SITE (Santa Fe\, NM; 1999); among others. His film A Space Program was released by Zeitgeist in 2016\, offering viewers a glimpse into the artist’s studio practice\, philosophy\, and the narrative surrounding his 2012 project with Creative Time at the Park Avenue Armory.
URL:https://greenwichhouse.org/event/chawan-tom-sachs/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Jane-Hartsook-Gallery_Tom-Sachs_Chawan-Cabinet.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20180406T170000
DTEND;TZID=America/New_York:20180427T180000
DTSTAMP:20260403T224404
CREATED:20190610T182739Z
LAST-MODIFIED:20240604T184546Z
UID:2345-1523034000-1524852000@greenwichhouse.org
SUMMARY:GHP Artists Exhibition 2018
DESCRIPTION:Left to right\, top to bottom: Nancy Sacks\, Lana Kova\, Margaret Skaggs\, Andy Graves. Photos: courtesy of the artists. \nGHP Artists Exhibition\nOpening Reception | Friday\, April 6\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through April 27\, 2018 \nThe Jane Hartsook Gallery is pleased to present an exhibition recognizing the distinguished artists who contribute to the Greenwich House Pottery community. This exhibition showcases the artistic range of GHP’s makers\, each of whom uses the Pottery’s extensive resources to express their own creative voice in clay. From functional ceramics to sculpture\, this exhibition is as diverse as the artists themselves. \nGHP is the oldest non-profit in the country dedicated to the inquiry and advancement of the ceramic arts. Key to the development of technical skills and innovation\, GHP provides an all-encompassing educational program for over 1260 students annually. Artists and students learn from professional faculty and staff proficient in a range of topics from wheel throwing\, hand-building and paper clay to glaze chemistry and slip casting. GHP also hosts workshops and lectures by leading ceramic artists from around the country as well as offering teens and children the opportunity to work in clay through Greenwich House’s After-School Program. The artists in this exhibition represent the continuous achievement\, exploration and passion for ceramic arts that GHP has fostered for over 110 years.
URL:https://greenwichhouse.org/event/ghp-artists-exhibition-2018/
LOCATION:NY
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP-Artists-Exhib-2018.png
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