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DTSTART;TZID=America/New_York:20210108T170000
DTEND;TZID=America/New_York:20210205T180000
DTSTAMP:20260407T135215
CREATED:20200121T215858Z
LAST-MODIFIED:20210318T161324Z
UID:6501-1610125200-1612548000@greenwichhouse.org
SUMMARY:After Image\, Kate Roberts
DESCRIPTION:Kate Roberts\, After Image (install). Image: © Alan Wiener\, courtesy Greenwich House Pottery 2021 \nAfter Image\nKate Roberts\nOnline Artist Talk & Opening Reception | Friday\, January 15\, 2021 | 5:00 p.m.\nExhibition on view through January 8 through February 5\, 2021 \nThe Jane Hartsook Gallery is pleased to present Kate Robert’s first solo exhibition in New York City. In her art practice\, Roberts uses the decay of specific objects\, architecture\, or relationships to meditate on the passage of time. In this new body of work\, she widens her lens\, considering the massive destruction caused by forest fires that blazed across Oregon and much of the West Coast in 2020\, the effects of which rippled out as far as the East Coast and Europe. Using clay dust to “paint” on transparent fabric\, Roberts recreates the smoked-out landscapes left behind by the raging fires. Through skillful\, time-consuming work\, Roberts crafts the results of swift devastation wrought by the decay of environmental stewardship. \nKate Roberts is from Greenville\, South Carolina. She earned her MFA and BFA from Alfred University in ceramics\, with minors in art education and art history. Roberts’s work has been shown nationally in museums such as the Tampa Museum of Art (Florida; 2011) and the Everson Museum of Art (Syracuse\, NY; 2006)\, and in major exhibitions such as Scripps College 69th Ceramic Annual (Claremont\, CA; 2013) and Ceramic Top 40\, shown at Red Star Studio (Kansas City\, MO; 2013) and Ceramics Program\, Office of the Arts at Harvard (Allston\, MA; 2014). She has held residencies nationally and internationally\, including at Project Art (Cummington\, MA; 2012)\, Anderson Ranch Arts Center (Snowmass\, CO; 2011)\, and Cité Internationale des Arts (Paris\, France; 2011). Roberts has also taught extensively\, including at University of Wisconsin–Madison and the University of Washington in Seattle.  Currently\, she is Assistant Professor at the University of Memphis in Tennessee. \n \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2021
URL:https://greenwichhouse.org/event/after-image-kate-roberts/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2020/01/GHP_8812-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201205T100000
DTEND;TZID=America/New_York:20201206T160000
DTSTAMP:20260407T135215
CREATED:20201124T151006Z
LAST-MODIFIED:20201124T152246Z
UID:10933-1607162400-1607270400@greenwichhouse.org
SUMMARY:Ceramic Sidewalk Sale
DESCRIPTION:Ceramic Sidewalk Sale\nDecember 5 & 6\, 2020\, 10:00 a.m. – 4:00 p.m. \nLooking for holiday presents and a way to support you community? Look no further! Greenwich House Pottery’s Sidewalk Sale has you covered. Shop with us at our two-day outdoor sale full of affordable handmade ceramics by local artists and you’re sure to find the perfect presents for you loved ones\, from functional ware to unique sculptural works. All proceeds go to keep your favorite local ceramic arts center (GHP) running and supporting our community of ceramic artists. \nGreenwich House Pottery is a nonprofit ceramics center that has been supporting artists and promoting the field of ceramics for over 110 years. Starting with clay modeling classes in the earliest days of Greenwich House as part of its Handicraft School\, the Pottery flourished with the help of the community and philanthropic support from patrons like Gertrude Vanderbilt Whitney. GHP remains a stalwart of innovation and art. \n 
URL:https://greenwichhouse.org/event/sidewalk-sale/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2020/11/SIDEWALK-SALE-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201120T100000
DTEND;TZID=America/New_York:20201210T233000
DTSTAMP:20260407T135215
CREATED:20201124T163842Z
LAST-MODIFIED:20201124T163842Z
UID:10954-1605866400-1607643000@greenwichhouse.org
SUMMARY:potLUCK Raffle
DESCRIPTION:Join us for GHP’s potLUCK raffle!\nSupport your local ceramic arts center and get the chance to win work by your favorite Greenwich House Pottery artists. GHP\, like many small arts nonprofits\, has been hit hard by the COVID-19 pandemic and needs your support. \nGreenwich House Pottery is an art center that has been supporting artists and their projects\, and teaching and promoting ceramics to the world for over 115 years. Through war\, depression\, recession and a century of growth and chance\, GHP perseveres and remains a stalwart of innovation and art. We offer a diverse program of classes\, exhibitions\, artist residencies\, free public lectures\, Masters Series Workshops\, and community outreach\, all of which serve newcomers\, amateurs and professional artists alike. GHP plays a vital role in community building and providing access to the arts. We offer a chance to learn from clay in a direct way and to foster connections between artist\, material and community. \nRead more here. \n 
URL:https://greenwichhouse.org/event/potluck-raffle/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2020/11/GibsonPotsWTix-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201016T170000
DTEND;TZID=America/New_York:20201016T190000
DTSTAMP:20260407T135215
CREATED:20200929T153130Z
LAST-MODIFIED:20210120T195208Z
UID:10377-1602867600-1602874800@greenwichhouse.org
SUMMARY:Online Artist Talk and Opening FUN-damentals\, Didem Mert
DESCRIPTION:FUN-damentals\nDidem Mert\nOnline Artist Talk & Opening | Friday\, October 16\, 2020 | 5:00 – 7:00 p.m.\n \nDidem Mert will be giving an online artist talk in conjunction with her solo exhibition FUN-damentals in our Jane Hartsook Gallery. The online opening reception will immediately follow the artist talk. Join us with the following Zoom information: \nThis event is free and open to the public.\nRead more about the exhibition here. \nWatch the recording of the online artist talk and opening reception:
URL:https://greenwichhouse.org/event/artist-talk-didem-mert/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2020/01/Collection_2018-scaled-e1579643531547.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20201009T170000
DTEND;TZID=America/New_York:20201106T180000
DTSTAMP:20260407T135215
CREATED:20200121T215248Z
LAST-MODIFIED:20210120T194948Z
UID:6493-1602262800-1604685600@greenwichhouse.org
SUMMARY:FUN-damentals\, Didem Mert
DESCRIPTION:FUN-damentals\nDidem Mert\nOnline Artist Talk & Opening | Friday\, October 16\, 2020 | 5:00 – 7:00 p.m.\nExhibition on view October 9 – November 6\, 2020 \nThe Jane Hartsook Gallery is pleased to present Didem Mert’s first solo exhibition in New York City. In this new body of work\, Mert emphasizes the “fun” of ceramics by playing with basic pottery skills to reimagine vessel forms in ways that express her personality. The distinctive surfaces Mert achieves are heavily influenced by her early exposure to woodworking. As the daughter of a woodworker\, Mert grew up paying special attention to surface texture and finish\, a focus that carries through in her careful mark-making and selection of terra sigillata and glazes. Even the bright pops of color in her work mirror the woodshop\, echoing the bright warning colors of heavy equipment\, though rather than danger these tones warn of impending FUN! \nDidem Mert is a San Francisco-based artist where she is also the Education Director of Clay by the Bay. Mert was born and raised in Cincinnati\, OH. She earned her MFA from Edinboro University of Pennsylvania and her BFA from Northern Kentucky University. Mert has shown her work nationally\, including at: The Kiln Studio (Fairhope\, AL; 2019)\, Clay AKAR (Iowa City\, IA; 2018)\, The Clay Studio (Philadelphia\, PA; 2017)\, Companion Gallery (Humboldt\, TN; 2016)\, and Erie Art Museum (Erie\, PA; 2015)\, among others. \nDownload the press release here.\nGallery is open by appointment only. Make an appointment here.\nWatch the recording of Didem Mert’s online artist talk and opening reception here.
URL:https://greenwichhouse.org/event/fun-damentals-didem-mert/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2020/01/Collection_2018-scaled-e1579643531547.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200914T090000
DTEND;TZID=America/New_York:20200925T170000
DTSTAMP:20260407T135215
CREATED:20200904T142327Z
LAST-MODIFIED:20200904T142327Z
UID:9848-1600074000-1601053200@greenwichhouse.org
SUMMARY:The Pot Shop
DESCRIPTION:The Pot Shop in the Jane Hartsook Gallery\nDave Gibson\, Luc Hammond-Thomas\, Julie Knight\, Gina Tibbott\, Dustin Yager\nSeptember 14 – 25\, 2020 \nHelp support the Pottery today by making a purchase at the Pot Shop! These limited edition works were all made by GHP staff and faculty during the pandemic. All proceeds go to keep your favorite local ceramic arts center (GHP) running and supporting our community of ceramic artists. \nGreenwich House Pottery is a nonprofit ceramics center that has been supporting artists and promoting the field of ceramics for over 110 years. Starting with clay modeling classes in the earliest days of Greenwich House as part of its Handicraft School\, the Pottery flourished with the help of the community and philanthropic support from patrons like Gertrude Vanderbilt Whitney. GHP remains a stalwart of innovation and art. \nWhen GHP moved online due to the COVID-19 pandemic\, our faculty and staff stepped up to the challenge\, some teaching online classes\, some making pots to sell to support Greenwich House\, and some doing both! \n 
URL:https://greenwichhouse.org/event/the-pot-shop/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2020/08/Dustin-Yager-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200717T170000
DTEND;TZID=America/New_York:20200904T180000
DTSTAMP:20260407T135215
CREATED:20200121T214719Z
LAST-MODIFIED:20200730T204311Z
UID:6489-1595005200-1599242400@greenwichhouse.org
SUMMARY:Ceramics Now\, Malene Barnett\, Sindy Butz\, Donna Green\, Phoenix Lindsey-Hall\, Kari Marboe
DESCRIPTION:The gallery will be open with limited capacity by appointment only. Email kmcclure@greenwichhouse.org to make an appointment. \nThe Jane Hartsook Gallery is pleased to present work by our 2018-2019 fellows and artists in residence: Malene Barnett\, Sindy Butz\, Donna Green\, Phoenix Lindsey-Hall\, and Kari Marboe. The Greenwich House Pottery Residency and Fellowship is a distinguished program that fosters artistic growth by providing artists with a creative community\, time\, space and materials to explore and generate new bodies of ceramic work in the center of the art world.
URL:https://greenwichhouse.org/event/ceramics-now-2020/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2020/01/GHP3_6632.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200221T170000
DTEND;TZID=America/New_York:20200320T180000
DTSTAMP:20260407T135215
CREATED:20190604T210143Z
LAST-MODIFIED:20200708T160857Z
UID:2072-1582304400-1584727200@greenwichhouse.org
SUMMARY:Clay is Just Thick Paint\, Jennifer Rochlin
DESCRIPTION:Clay is Just Thick Paint\nJennifer Rochlin\nAngelik Vizcarrondo-Laboy (curator)\nArtist/Curator Talk | Friday\, February 21\, 2020 | 4:00 – 5:00 p.m.\nOpening Reception | Friday\, February 21\, 2020 | 5:00 – 7:00 p.m.\nExhibition on view through March 20\, 2020 \nThe Jane Hartsook Gallery is pleased to present new work by Jennifer Rochlin\, curated by Angelik Vizcarrondo-Laboy. Aptly titled Clay Is Just Thick Paint after a quotation from artist Peter Voulkos\, this exhibition argues for the equality of clay and paint as artistic materials. Trained as a painter\, Rochlin began working with clay in 2007 and now exclusively works with the medium. This exhibition features ten of her hand-built pots and reliefs\, each of which tells a story about love\, lust or longing. \nRochlin’s pots and reliefs highlight her interest in storytelling and the human body. The former are metaphors for the body\, each having its own lumps and imperfections. Every piece in this exhibition is a memory embodied. Rochlin covers her pots’ surfaces with vignettes whose painterly quality alludes to the way impressions often take precedent over details in our recollections. As viewers experience the pots in the round\, they encounter scenes unbound by chronological order\, just as personal memories often arise out of sequence. Even Rochlin’s construction methods connect to storytelling; the pinches and pokes she uses to give her pots form mirror the hand gestures storytellers use to punctuate their narratives. \nJennifer Rochlin (born 1968 in Baltimore\, MD) is a Los Angeles-based artist working in ceramics and painting. She has had solo exhibitions at Geary Contemporary (New York\, NY; 2019)\, Lefebvre & Fils (Paris\, France; 2018)\, The Pit (Los Angeles\, CA; 2018) and Black Dragon Society (Los Angeles\, CA; 2007). Rochlin’s work has been featured in numerous group and two-person shows such as Paintings and Pots\, The Green Gallery (Milwaukee\, WI; 2018); Jennifer Rochlin/Gene Moreno\, Institute of Visual Arts\, University of Milwaukee (WI; 2007); Home Show\, Revisited\, Santa Barbara Contemporary Arts Forum (CA; 2011)\, Open Daybook\, Los Angeles Contemporary Exhibitions (CA; 2011); MKE-LAX\, Milwaukee Institute of Art and Design (WI; 2012); Venice Beach Biennial\, in conjunction with Made in LA\, Hammer Museum (Los Angeles\, CA; 2012) and Sculptures\, 356 Mission (Los Angeles\, CA; 2013). Rochlin is the recipient of the Individual Artist Grant from the Belle Foundation (2015) and the Durfee Foundation ARC Grant (2007) and has had residencies at Lefebvre & Fils (Versailles\, France; 2018) and Civitella Ranieri (Umbria\, Italy; 2019). \nAngelik Vizcarrondo-Laboy (born 1992 in San Juan\, Puerto Rico) is a New York-based curator\, writer and arts administrator focusing on contemporary art and craft\, with an emphasis on ceramics. She serves as Assistant Curator at the Museum of Arts and Design (MAD)\, New York. Since 2016\, she has been part of MAD’s curatorial team\, helping to organize over nineteen exhibitions and installations. She also manages MAD’s Burke Prize\, a contemporary craft award\, and curates its accompanying exhibition. She is a 2020 Curatorial Fellow at the Center for Craft (Asheville\, NC)\, where she is curating Sleight of Hand\, a group show of ceramics that demonstrate the power of humor as a tool of resistance\, resilience and healing. She holds an MA from the Bard Graduate Center in Decorative Arts\, Design History & Material Culture and a BA in Art History from the University of Florida\, with minors in Anthropology and Ceramics. \nDownload the press release here. \nJennifer Rochlin and Angelik Vizcarrondo-Laboy will be giving an artist talk from 4:00 to 5:00 p.m. on February 21 before the opening reception. Please register to reserve your seat for the talk. The talk is free and open to the public. \nTo reserve your seat\, register now. \nSpecial edition exhibition zine here. Contact pottery@greenwichhouse.org for a print copy. \n  \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2020.
URL:https://greenwichhouse.org/event/clay-is-just-thick-paint-jennifer-rochlin/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Rochlin_Falconers-Myra-and-Me-and-Rachel-edited-scaled-e1580739023509.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200110T170000
DTEND;TZID=America/New_York:20200207T180000
DTSTAMP:20260407T135215
CREATED:20190604T205804Z
LAST-MODIFIED:20210318T161654Z
UID:2067-1578675600-1581098400@greenwichhouse.org
SUMMARY:City Wide\, Carly Slade
DESCRIPTION:City Wide\nCarly Slade\nOpening Reception | Friday\, January 10\, 2020 | 5:00 – 7:00 p.m.\nArtist Talk | Friday\, January 10\, 2020 | 4:00 – 5:00 p.m.\nMaster Series Workshop | February 7-8\, 2020 | 10:00 a.m. – 4:00 p.m.\nExhibition on view through February 7\, 2020\n \n\n\n\n\nThe Jane Hartsook Gallery is pleased to present Carly Slade’s first solo exhibition in New York City. Slade constructs buildings skewed by two-point perspective to tell universal stories about the way architecture communicates our hopes and lived experiences. In this exhibition\, Slade has created three buildings from her former neighborhood in Philadelphia. Driving by these buildings on her way to and from her studio\, she observed not only the buildings’ day-to-day changes\, but also the residue of their deeper history: new signs\, new paint jobs\, a once-beautiful lintel in disrepair. Each of these buildings embodies what Slade grew to love and admire about Philadelphia—a sense of hope\, dedication\, and a “make it work” mentality. \nSlade uses trade and craft skills to construct miniaturized buildings whose smaller scale invites us to think critically about how we communicate our identities through architecture and who we envision in certain spaces. Having worked in construction for ten years\, Slade is highly attuned to the craftsmanship of a building’s construction and is accustomed to the way many men in that field made clear that they didn’t think she belonged there. She is skeptical of the divide between craft skills and trade skills; she sees as much knowledge and skill in a well-positioned pipe as in any craftwork. Just as Slade questions the distinction between trade and craft skills\, she also questions the way spaces and skills are gendered. By combining skills that have been identified in the past as being exclusively “women’s” or “men’s” work\, like cross-stitch or electrical wiring\, to create her finished buildings\, Slade calls out a host of false dichotomies. \nCarly Slade is an artist based in Tempe\, AZ. She earned her MFA from San Jose State University and her BFA from Alberta College of Art and Design. Slade has been a resident artist at the Tyler School of Art (Philadelphia\, PA; 2017–2019)\, Lawrence Arts Center (Lawrence\, KS; 2016–2017)\, Archie Bray Foundation (Helena\, MT; 2016)\, Medalta (Medicine Hat\, Alberta\, Canada; 2012)\, and Watershed Center for the Arts (Newcastle\, ME; 2011). Slade has shown her work throughout the United States\, including at: Johnathan LeVine Projects (Jersey City\, NJ; 2018)\, The Clay Studio; (Philadelphia\, PA; 2018)\, Arch Enemy Gallery (Philadelphia\, PA; 2017)\, and the American Museum of Ceramic Art (Pomona\, CA; 2016). This will be her first exhibition in New York City. Slade is from Alberta\, Canada and is currently an instructor at Arizona State University in Tempe\, AZ. \nDownload the press release here.\n \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2020.
URL:https://greenwichhouse.org/event/city-wide-carly-slade/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP_Slade_1700-N-24th-St.-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20200110T170000
DTEND;TZID=America/New_York:20200110T190000
DTSTAMP:20260407T135215
CREATED:20190604T205916Z
LAST-MODIFIED:20190729T194330Z
UID:2070-1578675600-1578682800@greenwichhouse.org
SUMMARY:Opening Reception for City Wide
DESCRIPTION:
URL:https://greenwichhouse.org/event/opening-reception-for-city-wide/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Carly-Slade_Temporary-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T170000
DTEND;TZID=America/New_York:20191220T180000
DTSTAMP:20260407T135215
CREATED:20240604T185006Z
LAST-MODIFIED:20240604T185006Z
UID:5775-1574442000-1576864800@greenwichhouse.org
SUMMARY:In-Between Moments\, Janice Jakielski
DESCRIPTION:In-Between Moments\nJanice Jakielski\nOpening Reception | Friday\, November 22\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through December 20\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Janice Jakielski. Jakielski marries modern industrial technology with historic ceramic forms to create beautiful objects that provide a moment of pause in an overwhelming world. Jakielski uses industrial casting methods to create paper-thin sheets of porcelain that she layers\, folds\, and curls to reimagine historic vessels from Europe and Asia. She reinvents these vessels without their interior volume\, flattening them into outlines of their previous forms. By removing their function and playfully recreating these vessels in impossibly thin porcelain\, Jakielski encourages the viewer to stop and take a closer look. \nLike the Sèvres porcelain factory in its day\, whose work she often references\, Jakielski is at the forefront of technical and artistic innovation. In 18th century France innovation meant finally being able to make porcelain vessels—Europe lagged far behind China in understanding this technology—and recreating famous European paintings on those porcelain surfaces. For Jakielski it means adapting industrial methods used to make computer components to create a type of porcelain clay body that behaves like no other and taking inspiration from multiple craft disciplines to achieve her final forms. Where the makers at Sèvres drew inspiration from painting\, Jakielski uses skills more often employed with fiber and paper crafts like embroidery and paper filigree to complete her designs. \nJakielski is an artist based out of Sutton\, Massachusetts. She received an MFA in ceramics from University of Colorado\, Boulder and her BFA at Alfred University. She is currently an adjunct faculty member at Massachusetts College of Art and Design. She has shown her work across the United States\, including at Wayne Art Center (Wayne\, PA; 2018)\, Peters Projects (Santa Fe\, NM; 2018)\, Racine Art Museum\, (Racine\, WI; 2016)\, and Houston Center for Contemporary Craft (Houston\, TX; 2013). Jakielski has been an artist in residence at Archie Bray Foundation for Ceramic Arts (Helena\, MT; 2019)\, and Arrowmont School of Arts and Crafts (Gatlinburg\, TN; 2015)\, among others. She was awarded the Massachusetts Cultural Council Artist Fellowship and the Society of Arts and Crafts Artist Award. \nDownload the press release here.
URL:https://greenwichhouse.org/event/in-between-moments-janice-jakielski/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Sèvres-Flower-Bowl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T170000
DTEND;TZID=America/New_York:20191220T180000
DTSTAMP:20260407T135215
CREATED:20190604T205439Z
LAST-MODIFIED:20210318T161126Z
UID:2062-1574442000-1576864800@greenwichhouse.org
SUMMARY:In-Between Moments\, Janice Jakielski
DESCRIPTION:In-Between Moments\nJanice Jakielski\nOpening Reception | Friday\, November 22\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through December 20\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Janice Jakielski. Jakielski marries modern industrial technology with historic ceramic forms to create beautiful objects that provide a moment of pause in an overwhelming world. Jakielski uses industrial casting methods to create paper-thin sheets of porcelain that she layers\, folds\, and curls to reimagine historic vessels from Europe and Asia. She reinvents these vessels without their interior volume\, flattening them into outlines of their previous forms. By removing their function and playfully recreating these vessels in impossibly thin porcelain\, Jakielski encourages the viewer to stop and take a closer look. \nLike the Sèvres porcelain factory in its day\, whose work she often references\, Jakielski is at the forefront of technical and artistic innovation. In 18th century France innovation meant finally being able to make porcelain vessels—Europe lagged far behind China in understanding this technology—and recreating famous European paintings on those porcelain surfaces. For Jakielski it means adapting industrial methods used to make computer components to create a type of porcelain clay body that behaves like no other and taking inspiration from multiple craft disciplines to achieve her final forms. Where the makers at Sèvres drew inspiration from painting\, Jakielski uses skills more often employed with fiber and paper crafts like embroidery and paper filigree to complete her designs. \nJakielski is an artist based out of Sutton\, MA. She received an MFA in ceramics from University of Colorado\, Boulder and her BFA at Alfred University. She is currently an adjunct faculty member at Massachusetts College of Art and Design. She has shown her work across the United States\, including at Wayne Art Center (PA; 2018)\, Peters Projects (Santa Fe\, NM; 2018)\, Racine Art Museum\, (WI; 2016) and Houston Center for Contemporary Craft (TX; 2013). Jakielski has been an artist in residence at the Archie Bray Foundation (Helena\, MT; 2019)\, and Arrowmont School of Arts and Crafts (Gatlinburg\, TN; 2015); among others. She was awarded the Mass Cultural Council Artist Fellowship and the Society of Arts and Crafts Artist Award. \nDownload the press release here. \n \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2019.
URL:https://greenwichhouse.org/event/janice-jakielski-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Sèvres-Flower-Bowl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191122T170000
DTEND;TZID=America/New_York:20191122T190000
DTSTAMP:20260407T135215
CREATED:20190604T205600Z
LAST-MODIFIED:20190604T205600Z
UID:2065-1574442000-1574449200@greenwichhouse.org
SUMMARY:Opening Reception for Janice Jakielski
DESCRIPTION:
URL:https://greenwichhouse.org/event/opening-reception-for-janice-jakielski/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/Janice-Jakielski_Temporary-Image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191011T170000
DTEND;TZID=America/New_York:20191108T180000
DTSTAMP:20260407T135215
CREATED:20190920T162943Z
LAST-MODIFIED:20240604T185004Z
UID:5438-1570813200-1573236000@greenwichhouse.org
SUMMARY:Breaking the Plane\, Shannon Goff\, Peter Christian Johnson\, Lauren Mabry
DESCRIPTION:From left to right: Shannon Goff\, Sourpuss\, 2015; Lauren Mabry\, Lasso\, 2019; Peter Christian Johnson\, Jilted\, 2019. \nBreaking the Plane\nShannon Goff\, Peter Christian Johnson\, Lauren Mabry\nOpening Reception | Friday\, October 11\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through November 8\, 2019 \nThe Jane Hartsook Gallery is pleased to present Breaking the Plane\, an exhibition of new work by Shannon Goff\, Peter Christian Johnson\, and Lauren Mabry. This show brings together three artists who are using clay and glaze to create lines that cannot be confined to two-dimensions. Goff and Mabry challenge the fundamentally two-dimensional form of the line by using clay to draw in the round. Mabry and Johnson thwart expectations by separating glaze from the ceramic surface and giving it volumetric form\, while Goff and Johnson use a density of three-dimensional lines to give their “drawings” mass. \nShannon Goff’s ceramic work embraces abstraction and is heavily rooted in the practice of drawing. Through continued experimentation\, she strives to repurpose the perceived limits of her medium into possibilities. Goff begins her sculptures as meditative doodles\, but current events and images often co-opt them. She addresses themes of containment\, collapse\, landscape\, and structure in these sculpted drawings with an aesthetic sensibility that often belies the seriousness of her subject matter. Drawing out loud helps Goff understand how to best navigate the built and natural environments of contemporary society’s tumultuous terrain. \nPeter Christian Johnson creates architecturally-inspired material studies that represent the tragic beauty he sees as the human condition. He laboriously sketches out scaffolding in porcelain\, encouraging it to warp in the kiln by using the weight of volumetric glaze to collapse and shift the finished object. For Johnson\, the collapsing forms evoke a sense of sorrow and distortion that is emblematic of the various burdens we carry. \nLauren Mabry uses clay and glaze to draw and paint in three dimensions\, creating a feeling of mystery and surprise that forces every viewer—no matter their ceramic knowledge—to engage with the material and try to piece together her making process. Mabry likens her process to building with Tinkertoys. She extrudes coils and fires them\, using wet clay to connect the hard pieces and firing them again before adding rings of pure glaze. Over time Mabry has been learning how to anticipate the distortion the kiln introduces in her work\, but the process will always remain a careful balance between intentionality and the freedom of surprise. \nDownload the press release here. \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2019.
URL:https://greenwichhouse.org/event/breaking-the-plane/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Breaking-the-Plane-Combination-Press-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191011T170000
DTEND;TZID=America/New_York:20191011T190000
DTSTAMP:20260407T135215
CREATED:20190604T205125Z
LAST-MODIFIED:20240604T185002Z
UID:2060-1570813200-1570820400@greenwichhouse.org
SUMMARY:Opening Reception for Breaking the Plane
DESCRIPTION:From left to right: Shannon Goff\, Sourpuss\, 2017; Lauren Mabry\, Lasso\, 2019; Peter Christian Johnson\, Jilted\, 2019. \nBreaking the Plane\nShannon Goff\, Peter Christian Johnson\, Lauren Mabry\nOpening Reception | Friday\, October 11\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through November 8\, 2019 \nThe Jane Hartsook Gallery is pleased to present Breaking the Plane\, an exhibition of new work by Shannon Goff\, Peter Christian Johnson\, and Lauren Mabry. This show brings together three artists who are using clay and glaze to create lines that cannot be confined to two-dimensions. Goff and Mabry challenge the fundamentally two-dimensional form of the line by using clay to draw in the round. Mabry and Johnson thwart expectations by separating glaze from the ceramic surface and giving it volumetric form\, while Goff and Johnson use a density of three-dimensional lines to give their “drawings” mass. \nShannon Goff’s ceramic work embraces abstraction and is heavily rooted in the practice of drawing. Through continued experimentation\, she strives to repurpose the perceived limits of her medium into possibilities. Goff begins her sculptures as meditative doodles\, but current events and images often co-opt them. She addresses themes of containment\, collapse\, landscape\, and structure in these sculpted drawings with an aesthetic sensibility that often belies the seriousness of her subject matter. Drawing out loud helps Goff understand how to best navigate the built and natural environments of contemporary society’s tumultuous terrain. \nPeter Christian Johnson creates architecturally-inspired material studies that represent the tragic beauty he sees as the human condition. He laboriously sketches out scaffolding in porcelain\, encouraging it to warp in the kiln by using the weight of volumetric glaze to collapse and shift the finished object. For Johnson\, the collapsing forms evoke a sense of sorrow and distortion that is emblematic of the various burdens we carry. \nLauren Mabry uses clay and glaze to draw and paint in three dimensions\, creating a feeling of mystery and surprise that forces every viewer—no matter their ceramic knowledge—to engage with the material and try to piece together her making process. Mabry likens her process to building with Tinkertoys. She extrudes coils and fires them\, using wet clay to connect the hard pieces and firing them again before adding rings of pure glaze. Over time Mabry has been learning how to anticipate the distortion the kiln introduces in her work\, but the process will always remain a careful balance between intentionality and the freedom of surprise. \nDownload the press release here.
URL:https://greenwichhouse.org/event/opening-reception-for-breaking-the-plane/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190907T150000
DTEND;TZID=America/New_York:20190907T170000
DTSTAMP:20260407T135215
CREATED:20190604T202216Z
LAST-MODIFIED:20240604T185000Z
UID:2053-1567868400-1567875600@greenwichhouse.org
SUMMARY:Artist Reception for Touching Time
DESCRIPTION:Works in progress\, 2019. Photo: courtesy of the artist. \nTouching Time\nChristopher Staley\nOpening Reception | Saturday\, September 7\, 2019 | 3:00 – 5:00 p.m.\nExhibition on view through September 27\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Christopher Staley. In the artist’s first solo exhibition in 10 years\, Staley uses introspection to locate creativity and selfhood within his artistic process. The work in this exhibition was inspired by Staley’s 2019 return to the Archie Bray Foundation and Greenwich House Pottery—two ceramics centers that had a significant impact on his career—30 years after he first encountered them. Re-encountering these spaces made Staley reconsider how his life experience has affected his work. Like the Process Artists of the ‘60s and ‘70s\, he began to reevaluate where “art” occurred in his making process. Was it the finished object or the steps along the way? By analyzing his work as metaphor and interrogating his creative process\, Staley leads by example and encourages other artists to do the same\, raising the question: Are the objects in this exhibition the art\, or is the introspection Staley sparks in others his true art? \nChristopher Staley is an artist based out of Pennsylvania. He has been a Professor of Ceramic Art at Penn State University since 1990. He received his MFA from Alfred University and his BFA from Wittenberg University. Staley has shown his work across the United States\, including at Museum of Contemporary Crafts (Portland\, OR; 2013) Santa Fe Clay Gallery (Santa Fe\, NM; 2009)\, and Garth Clark Gallery (New York\, NY; 2000). He has been artist in residence at Ceramic Art Museum (Fuping\, China; 2007)\, EKWC (The Netherlands\, 2005)\, and the Archie Bray Foundation (Helena\, MT; 2019\, 2004\, 1998-99). Staley has previously served as President of the National Council on Education of the Ceramic Arts (2016)\, on the Board of Directors for Haystack School of Crafts (Deer Isle\, ME; 2005-14)\, and on the Advisory Board for Watershed Center for the Ceramic Arts (Edgecomb\, ME; 1991-94).
URL:https://greenwichhouse.org/event/closing-reception-for-touching-time/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Chris-Staley-Works-in-Progress.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190830T120000
DTEND;TZID=America/New_York:20190927T180000
DTSTAMP:20260407T135215
CREATED:20190604T201822Z
LAST-MODIFIED:20240604T184959Z
UID:2048-1567166400-1569607200@greenwichhouse.org
SUMMARY:Touching Time\, Christopher Staley
DESCRIPTION:Works in progress\, 2019. Photo: courtesy of the artist. \nTouching Time\nChristopher Staley\nOpening Reception | Saturday\, September 7\, 2019 | 3:00 – 5:00 p.m.\nExhibition on view through September 27\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Christopher Staley. In the artist’s first solo exhibition in 10 years\, Staley uses introspection to locate creativity and selfhood within his artistic process. The work in this exhibition was inspired by Staley’s 2019 return to the Archie Bray Foundation and Greenwich House Pottery—two ceramics centers that had a significant impact on his career—30 years after he first encountered them. Re-encountering these spaces made Staley reconsider how his life experience has affected his work. Like the Process Artists of the ‘60s and ‘70s\, he began to reevaluate where “art” occurred in his making process. Was it the finished object or the steps along the way? By analyzing his work as metaphor and interrogating his creative process\, Staley leads by example and encourages other artists to do the same\, raising the question: Are the objects in this exhibition the art\, or is the introspection Staley sparks in others his true art? \nChristopher Staley is an artist based out of State College\, PA. He has been a Professor of Ceramic Art at Penn State University since 1990. He received his MFA from Alfred University and his BFA from Wittenberg University. Staley has shown his work across the United States\, including at Museum of Contemporary Crafts (Portland\, OR; 2013) Santa Fe Clay Gallery (Santa Fe\, NM; 2009)\, and Garth Clark Gallery (New York\, NY; 2000). He has been artist in residence at FuLe International Ceramic Art Museum (Fuping\, China; 2007)\, EKWC (Oisterwijk Netherlands; 2005) and the Archie Bray Foundation (Helena\, MT; 2019\, 2004\, 1998-99). Staley has previously served as President of the National Council on Education for the Ceramic Arts (NCECA) (2016-18)\, on the Board of Directors for Haystack Mountain School of Crafts (Deer Isle\, ME; 2005-14) and on the Advisory Board for Watershed Center for the Ceramic Arts (Newcastle\, ME; 1991-94). \nDownload the press release here. \nJoin us for a one-day workshop with Christopher Staley. Register here. \nImages: © Alan Wiener\, courtesy Greenwich House Pottery 2019.
URL:https://greenwichhouse.org/event/touching-time-christopher-staley/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Chris-Staley-Works-in-Progress.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T170000
DTEND;TZID=America/New_York:20190614T180000
DTSTAMP:20260407T135215
CREATED:20190415T164517Z
LAST-MODIFIED:20240604T184955Z
UID:954-1558112400-1560535200@greenwichhouse.org
SUMMARY:Lay Me in a Hot Bed and Try Not to Drown\, Joanna Powell
DESCRIPTION:Left to right: Flower Vessel no. 1 and Fruit Vessel with Bangles\, ceramic\, 2019. Photo: courtesy of Greenwich House Pottery. Photographer: Alan Wiener. \nLay Me in a Hot Bed and Try Not to Drown\nJoanna Powell\nOpening Reception | Friday\, May 17\, 2019 | 5:00  – 7:00 p.m.\nExhibition on view through June 14\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Joanna Powell. Lay Me in a Hot Bed and Try Not to Drown\, Powell’s New York City debut\, was inspired by the harrowing experience of returning to Dallas after her mother’s death. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks how those humid Dallas nights felt\, trying to fall asleep despite the crush of emotion and thick summer air\, and what it means to have common experiences without actually being able to share them. \nPowell’s work is joyful while retaining a sense of loss. Infinite black backgrounds make intense colors pop with life\, and white vessels are washed in color. Pots and paintings alike are lush with beautiful plant life whose fruit and flowers promise plenty that they ultimately cannot fulfill. Joy and pain are present in Powell’s work in a way that welcomes viewers to contemplate their experiences with loss without dictating their responses. \nJoanna Powell (b. 1981\, Dallas\, TX) holds an MFA from the University of Colorado\, Boulder and a BFA from The University of North Texas in Denton. Powell has exhibited her work throughout the United States. Her most recent solo exhibition\, Everything Belongs to You\, was held at the Denison Art Space in Newark\, OH. In 2015\, Powell was granted an Emerging Artist Award from the National Council on Education for the Ceramic Arts (NCECA). She has been a resident artist at the Archie Bray Foundation (Helena\, MT); Haystack Mountain School of Crafts (Deer Isle\, ME); Alfred University (NY); Kansas State University (Manhattan\, KS) and Denison University (Granville\, OH). Currently she lives in Helena\, MT and is a full-time studio artist and travelling lecturer.
URL:https://greenwichhouse.org/event/joanna-powell-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T153000
DTEND;TZID=America/New_York:20190517T163000
DTSTAMP:20260407T135215
CREATED:20190415T164243Z
LAST-MODIFIED:20240604T184954Z
UID:949-1558107000-1558110600@greenwichhouse.org
SUMMARY:GHP Artist Talk: Joanna Powell
DESCRIPTION:Joanna Powell will give an artist talk. Powell will discuss her past work and her New York debut exhibition\, Lay Me in a Hot Bed and Try Not to Drown. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks what it means to have common experiences without actually being able to share them.\n\n\nJoanna Powell is an artist based out of Helena\, Montana. She received her MFA in ceramics from the University of Colorado\, Boulder and her BFA in ceramics from the University of North Texas. She was an artist in residence at the Archie Bray Foundation and has had solo and group exhibitions at University of Wisconsin-River Falls (River Falls\, WI; 2019)\, Denison Artspace (Newark\, OH; 2016)\, Hoffman Gallery (Portland\, OR; 2018)\, and The Clay Studio (Philadelphia\, PA; 2013)\, among others.\nThis event is free and open to the public.\nSeats are limited. Please register to RSVP.
URL:https://greenwichhouse.org/event/ghp-artist-talk-joanna-powell/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181109T170000
DTEND;TZID=America/New_York:20181206T180000
DTSTAMP:20260407T135215
CREATED:20190610T181729Z
LAST-MODIFIED:20240604T184554Z
UID:2333-1541782800-1544119200@greenwichhouse.org
SUMMARY:In House\, GHP Faculty and Staff Exhibition
DESCRIPTION:Left: Elise Siegel\, Portrait Bust with Cobalt and White\, underglaze\, ceramic\, 2015. Photographer: Alan Wiener. Right top: Hiroe Hanazono\, Brunch Set\, porcelain\, 2017. Photo: courtesy of the artist. Right bottom: Pedro Ramirez\, Festuca\, ceramic\, clay\, grass\, 2015. Photo: courtesy of the artist. \nIn House\nGHP Faculty and Staff\nOpening Reception | Friday\, November 9\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through December 6\, 2018 \nThe Jane Hartsook Gallery is pleased to present a group exhibition showcasing the artwork of current Greenwich House Pottery faculty and staff. Approaching the ceramic medium from a wide range of sources and backgrounds\, this show is as varied and dynamic as its contributors. \nEstablished educators in the arts\, designers and working artists\, our faculty and staff have been involved in numerous public works projects as well as residencies at institutions such as: Archie Bray Foundation\, The Clay Studio\, Flux Factory\, The International Ceramic Research Center\, Haystack Mountain School and Sculpture Space NYC. Alma maters include Alfred University\, the Art Institute of Chicago\, California College of Arts and Crafts\, Cranbrook Academy of Art\, Pratt Institute\, University of the Arts and the School of Visual Arts. \nGHP faculty and staff have showed their work in numerous exhibitions and have work in public and private institutions across the United States and abroad\, including: Corcoran Gallery of Art\, Garth Clark Project Space\, Guggenheim Museum\, Los Angeles County Museum of Art\, Mint Museum of Art\, the Mississippi Museum of Art\, the Museum of Fine Arts Houston\, the Museum of Modern Art\, the Smithsonian Institution’s Renwick Gallery\, Taipei Museum of Fine Arts\, and the Whitney Museum. \nPARTICIPATING ARTISTS
URL:https://greenwichhouse.org/event/in-house-ghp-faculty-and-staff-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP-Artist-Exhibition-group.png
END:VEVENT
END:VCALENDAR