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X-WR-CALDESC:Events for Greenwich House
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DTSTART;TZID=America/New_York:20191122T170000
DTEND;TZID=America/New_York:20191122T190000
DTSTAMP:20260407T151318
CREATED:20190604T205600Z
LAST-MODIFIED:20190604T205600Z
UID:2065-1574442000-1574449200@greenwichhouse.org
SUMMARY:Opening Reception for Janice Jakielski
DESCRIPTION:
URL:https://greenwichhouse.org/event/opening-reception-for-janice-jakielski/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/Janice-Jakielski_Temporary-Image.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191011T170000
DTEND;TZID=America/New_York:20191108T180000
DTSTAMP:20260407T151318
CREATED:20190920T162943Z
LAST-MODIFIED:20240604T185004Z
UID:5438-1570813200-1573236000@greenwichhouse.org
SUMMARY:Breaking the Plane\, Shannon Goff\, Peter Christian Johnson\, Lauren Mabry
DESCRIPTION:From left to right: Shannon Goff\, Sourpuss\, 2015; Lauren Mabry\, Lasso\, 2019; Peter Christian Johnson\, Jilted\, 2019. \nBreaking the Plane\nShannon Goff\, Peter Christian Johnson\, Lauren Mabry\nOpening Reception | Friday\, October 11\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through November 8\, 2019 \nThe Jane Hartsook Gallery is pleased to present Breaking the Plane\, an exhibition of new work by Shannon Goff\, Peter Christian Johnson\, and Lauren Mabry. This show brings together three artists who are using clay and glaze to create lines that cannot be confined to two-dimensions. Goff and Mabry challenge the fundamentally two-dimensional form of the line by using clay to draw in the round. Mabry and Johnson thwart expectations by separating glaze from the ceramic surface and giving it volumetric form\, while Goff and Johnson use a density of three-dimensional lines to give their “drawings” mass. \nShannon Goff’s ceramic work embraces abstraction and is heavily rooted in the practice of drawing. Through continued experimentation\, she strives to repurpose the perceived limits of her medium into possibilities. Goff begins her sculptures as meditative doodles\, but current events and images often co-opt them. She addresses themes of containment\, collapse\, landscape\, and structure in these sculpted drawings with an aesthetic sensibility that often belies the seriousness of her subject matter. Drawing out loud helps Goff understand how to best navigate the built and natural environments of contemporary society’s tumultuous terrain. \nPeter Christian Johnson creates architecturally-inspired material studies that represent the tragic beauty he sees as the human condition. He laboriously sketches out scaffolding in porcelain\, encouraging it to warp in the kiln by using the weight of volumetric glaze to collapse and shift the finished object. For Johnson\, the collapsing forms evoke a sense of sorrow and distortion that is emblematic of the various burdens we carry. \nLauren Mabry uses clay and glaze to draw and paint in three dimensions\, creating a feeling of mystery and surprise that forces every viewer—no matter their ceramic knowledge—to engage with the material and try to piece together her making process. Mabry likens her process to building with Tinkertoys. She extrudes coils and fires them\, using wet clay to connect the hard pieces and firing them again before adding rings of pure glaze. Over time Mabry has been learning how to anticipate the distortion the kiln introduces in her work\, but the process will always remain a careful balance between intentionality and the freedom of surprise. \nDownload the press release here. \nImages: © Alan Wiener\, courtesy of Greenwich House Pottery\, 2019.
URL:https://greenwichhouse.org/event/breaking-the-plane/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Breaking-the-Plane-Combination-Press-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20191011T170000
DTEND;TZID=America/New_York:20191011T190000
DTSTAMP:20260407T151318
CREATED:20190604T205125Z
LAST-MODIFIED:20240604T185002Z
UID:2060-1570813200-1570820400@greenwichhouse.org
SUMMARY:Opening Reception for Breaking the Plane
DESCRIPTION:From left to right: Shannon Goff\, Sourpuss\, 2017; Lauren Mabry\, Lasso\, 2019; Peter Christian Johnson\, Jilted\, 2019. \nBreaking the Plane\nShannon Goff\, Peter Christian Johnson\, Lauren Mabry\nOpening Reception | Friday\, October 11\, 2019 | 5:00 – 7:00 p.m.\nExhibition on view through November 8\, 2019 \nThe Jane Hartsook Gallery is pleased to present Breaking the Plane\, an exhibition of new work by Shannon Goff\, Peter Christian Johnson\, and Lauren Mabry. This show brings together three artists who are using clay and glaze to create lines that cannot be confined to two-dimensions. Goff and Mabry challenge the fundamentally two-dimensional form of the line by using clay to draw in the round. Mabry and Johnson thwart expectations by separating glaze from the ceramic surface and giving it volumetric form\, while Goff and Johnson use a density of three-dimensional lines to give their “drawings” mass. \nShannon Goff’s ceramic work embraces abstraction and is heavily rooted in the practice of drawing. Through continued experimentation\, she strives to repurpose the perceived limits of her medium into possibilities. Goff begins her sculptures as meditative doodles\, but current events and images often co-opt them. She addresses themes of containment\, collapse\, landscape\, and structure in these sculpted drawings with an aesthetic sensibility that often belies the seriousness of her subject matter. Drawing out loud helps Goff understand how to best navigate the built and natural environments of contemporary society’s tumultuous terrain. \nPeter Christian Johnson creates architecturally-inspired material studies that represent the tragic beauty he sees as the human condition. He laboriously sketches out scaffolding in porcelain\, encouraging it to warp in the kiln by using the weight of volumetric glaze to collapse and shift the finished object. For Johnson\, the collapsing forms evoke a sense of sorrow and distortion that is emblematic of the various burdens we carry. \nLauren Mabry uses clay and glaze to draw and paint in three dimensions\, creating a feeling of mystery and surprise that forces every viewer—no matter their ceramic knowledge—to engage with the material and try to piece together her making process. Mabry likens her process to building with Tinkertoys. She extrudes coils and fires them\, using wet clay to connect the hard pieces and firing them again before adding rings of pure glaze. Over time Mabry has been learning how to anticipate the distortion the kiln introduces in her work\, but the process will always remain a careful balance between intentionality and the freedom of surprise. \nDownload the press release here.
URL:https://greenwichhouse.org/event/opening-reception-for-breaking-the-plane/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190907T150000
DTEND;TZID=America/New_York:20190907T170000
DTSTAMP:20260407T151318
CREATED:20190604T202216Z
LAST-MODIFIED:20240604T185000Z
UID:2053-1567868400-1567875600@greenwichhouse.org
SUMMARY:Artist Reception for Touching Time
DESCRIPTION:Works in progress\, 2019. Photo: courtesy of the artist. \nTouching Time\nChristopher Staley\nOpening Reception | Saturday\, September 7\, 2019 | 3:00 – 5:00 p.m.\nExhibition on view through September 27\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Christopher Staley. In the artist’s first solo exhibition in 10 years\, Staley uses introspection to locate creativity and selfhood within his artistic process. The work in this exhibition was inspired by Staley’s 2019 return to the Archie Bray Foundation and Greenwich House Pottery—two ceramics centers that had a significant impact on his career—30 years after he first encountered them. Re-encountering these spaces made Staley reconsider how his life experience has affected his work. Like the Process Artists of the ‘60s and ‘70s\, he began to reevaluate where “art” occurred in his making process. Was it the finished object or the steps along the way? By analyzing his work as metaphor and interrogating his creative process\, Staley leads by example and encourages other artists to do the same\, raising the question: Are the objects in this exhibition the art\, or is the introspection Staley sparks in others his true art? \nChristopher Staley is an artist based out of Pennsylvania. He has been a Professor of Ceramic Art at Penn State University since 1990. He received his MFA from Alfred University and his BFA from Wittenberg University. Staley has shown his work across the United States\, including at Museum of Contemporary Crafts (Portland\, OR; 2013) Santa Fe Clay Gallery (Santa Fe\, NM; 2009)\, and Garth Clark Gallery (New York\, NY; 2000). He has been artist in residence at Ceramic Art Museum (Fuping\, China; 2007)\, EKWC (The Netherlands\, 2005)\, and the Archie Bray Foundation (Helena\, MT; 2019\, 2004\, 1998-99). Staley has previously served as President of the National Council on Education of the Ceramic Arts (2016)\, on the Board of Directors for Haystack School of Crafts (Deer Isle\, ME; 2005-14)\, and on the Advisory Board for Watershed Center for the Ceramic Arts (Edgecomb\, ME; 1991-94).
URL:https://greenwichhouse.org/event/closing-reception-for-touching-time/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Pottery,Special Event
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Chris-Staley-Works-in-Progress.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190830T120000
DTEND;TZID=America/New_York:20190927T180000
DTSTAMP:20260407T151318
CREATED:20190604T201822Z
LAST-MODIFIED:20240604T184959Z
UID:2048-1567166400-1569607200@greenwichhouse.org
SUMMARY:Touching Time\, Christopher Staley
DESCRIPTION:Works in progress\, 2019. Photo: courtesy of the artist. \nTouching Time\nChristopher Staley\nOpening Reception | Saturday\, September 7\, 2019 | 3:00 – 5:00 p.m.\nExhibition on view through September 27\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Christopher Staley. In the artist’s first solo exhibition in 10 years\, Staley uses introspection to locate creativity and selfhood within his artistic process. The work in this exhibition was inspired by Staley’s 2019 return to the Archie Bray Foundation and Greenwich House Pottery—two ceramics centers that had a significant impact on his career—30 years after he first encountered them. Re-encountering these spaces made Staley reconsider how his life experience has affected his work. Like the Process Artists of the ‘60s and ‘70s\, he began to reevaluate where “art” occurred in his making process. Was it the finished object or the steps along the way? By analyzing his work as metaphor and interrogating his creative process\, Staley leads by example and encourages other artists to do the same\, raising the question: Are the objects in this exhibition the art\, or is the introspection Staley sparks in others his true art? \nChristopher Staley is an artist based out of State College\, PA. He has been a Professor of Ceramic Art at Penn State University since 1990. He received his MFA from Alfred University and his BFA from Wittenberg University. Staley has shown his work across the United States\, including at Museum of Contemporary Crafts (Portland\, OR; 2013) Santa Fe Clay Gallery (Santa Fe\, NM; 2009)\, and Garth Clark Gallery (New York\, NY; 2000). He has been artist in residence at FuLe International Ceramic Art Museum (Fuping\, China; 2007)\, EKWC (Oisterwijk Netherlands; 2005) and the Archie Bray Foundation (Helena\, MT; 2019\, 2004\, 1998-99). Staley has previously served as President of the National Council on Education for the Ceramic Arts (NCECA) (2016-18)\, on the Board of Directors for Haystack Mountain School of Crafts (Deer Isle\, ME; 2005-14) and on the Advisory Board for Watershed Center for the Ceramic Arts (Newcastle\, ME; 1991-94). \nDownload the press release here. \nJoin us for a one-day workshop with Christopher Staley. Register here. \nImages: © Alan Wiener\, courtesy Greenwich House Pottery 2019.
URL:https://greenwichhouse.org/event/touching-time-christopher-staley/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/06/Chris-Staley-Works-in-Progress.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T170000
DTEND;TZID=America/New_York:20190614T180000
DTSTAMP:20260407T151318
CREATED:20190415T164517Z
LAST-MODIFIED:20240604T184955Z
UID:954-1558112400-1560535200@greenwichhouse.org
SUMMARY:Lay Me in a Hot Bed and Try Not to Drown\, Joanna Powell
DESCRIPTION:Left to right: Flower Vessel no. 1 and Fruit Vessel with Bangles\, ceramic\, 2019. Photo: courtesy of Greenwich House Pottery. Photographer: Alan Wiener. \nLay Me in a Hot Bed and Try Not to Drown\nJoanna Powell\nOpening Reception | Friday\, May 17\, 2019 | 5:00  – 7:00 p.m.\nExhibition on view through June 14\, 2019 \nThe Jane Hartsook Gallery is pleased to present new work by Joanna Powell. Lay Me in a Hot Bed and Try Not to Drown\, Powell’s New York City debut\, was inspired by the harrowing experience of returning to Dallas after her mother’s death. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks how those humid Dallas nights felt\, trying to fall asleep despite the crush of emotion and thick summer air\, and what it means to have common experiences without actually being able to share them. \nPowell’s work is joyful while retaining a sense of loss. Infinite black backgrounds make intense colors pop with life\, and white vessels are washed in color. Pots and paintings alike are lush with beautiful plant life whose fruit and flowers promise plenty that they ultimately cannot fulfill. Joy and pain are present in Powell’s work in a way that welcomes viewers to contemplate their experiences with loss without dictating their responses. \nJoanna Powell (b. 1981\, Dallas\, TX) holds an MFA from the University of Colorado\, Boulder and a BFA from The University of North Texas in Denton. Powell has exhibited her work throughout the United States. Her most recent solo exhibition\, Everything Belongs to You\, was held at the Denison Art Space in Newark\, OH. In 2015\, Powell was granted an Emerging Artist Award from the National Council on Education for the Ceramic Arts (NCECA). She has been a resident artist at the Archie Bray Foundation (Helena\, MT); Haystack Mountain School of Crafts (Deer Isle\, ME); Alfred University (NY); Kansas State University (Manhattan\, KS) and Denison University (Granville\, OH). Currently she lives in Helena\, MT and is a full-time studio artist and travelling lecturer.
URL:https://greenwichhouse.org/event/joanna-powell-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20190517T153000
DTEND;TZID=America/New_York:20190517T163000
DTSTAMP:20260407T151318
CREATED:20190415T164243Z
LAST-MODIFIED:20240604T184954Z
UID:949-1558107000-1558110600@greenwichhouse.org
SUMMARY:GHP Artist Talk: Joanna Powell
DESCRIPTION:Joanna Powell will give an artist talk. Powell will discuss her past work and her New York debut exhibition\, Lay Me in a Hot Bed and Try Not to Drown. In this exhibition\, Powell explores emotions that are universally felt in highly individualized ways. Everyone eventually grapples with the death of a loved one\, but each person’s experience is unique. Using ceramic\, photography and neon\, Powell unpacks what it means to have common experiences without actually being able to share them.\n\n\nJoanna Powell is an artist based out of Helena\, Montana. She received her MFA in ceramics from the University of Colorado\, Boulder and her BFA in ceramics from the University of North Texas. She was an artist in residence at the Archie Bray Foundation and has had solo and group exhibitions at University of Wisconsin-River Falls (River Falls\, WI; 2019)\, Denison Artspace (Newark\, OH; 2016)\, Hoffman Gallery (Portland\, OR; 2018)\, and The Clay Studio (Philadelphia\, PA; 2013)\, among others.\nThis event is free and open to the public.\nSeats are limited. Please register to RSVP.
URL:https://greenwichhouse.org/event/ghp-artist-talk-joanna-powell/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Talk
ATTACH;FMTTYPE=image/jpeg:https://greenwichhouse.org/wp-content/uploads/2019/04/GHP_Joanna-Powell_Flower-Vessel-no.-1-and-Fruit-Vessel-with-Bangles_Crop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20181109T170000
DTEND;TZID=America/New_York:20181206T180000
DTSTAMP:20260407T151318
CREATED:20190610T181729Z
LAST-MODIFIED:20240604T184554Z
UID:2333-1541782800-1544119200@greenwichhouse.org
SUMMARY:In House\, GHP Faculty and Staff Exhibition
DESCRIPTION:Left: Elise Siegel\, Portrait Bust with Cobalt and White\, underglaze\, ceramic\, 2015. Photographer: Alan Wiener. Right top: Hiroe Hanazono\, Brunch Set\, porcelain\, 2017. Photo: courtesy of the artist. Right bottom: Pedro Ramirez\, Festuca\, ceramic\, clay\, grass\, 2015. Photo: courtesy of the artist. \nIn House\nGHP Faculty and Staff\nOpening Reception | Friday\, November 9\, 2018 | 5:00 – 7:00 p.m.\nExhibition on view through December 6\, 2018 \nThe Jane Hartsook Gallery is pleased to present a group exhibition showcasing the artwork of current Greenwich House Pottery faculty and staff. Approaching the ceramic medium from a wide range of sources and backgrounds\, this show is as varied and dynamic as its contributors. \nEstablished educators in the arts\, designers and working artists\, our faculty and staff have been involved in numerous public works projects as well as residencies at institutions such as: Archie Bray Foundation\, The Clay Studio\, Flux Factory\, The International Ceramic Research Center\, Haystack Mountain School and Sculpture Space NYC. Alma maters include Alfred University\, the Art Institute of Chicago\, California College of Arts and Crafts\, Cranbrook Academy of Art\, Pratt Institute\, University of the Arts and the School of Visual Arts. \nGHP faculty and staff have showed their work in numerous exhibitions and have work in public and private institutions across the United States and abroad\, including: Corcoran Gallery of Art\, Garth Clark Project Space\, Guggenheim Museum\, Los Angeles County Museum of Art\, Mint Museum of Art\, the Mississippi Museum of Art\, the Museum of Fine Arts Houston\, the Museum of Modern Art\, the Smithsonian Institution’s Renwick Gallery\, Taipei Museum of Fine Arts\, and the Whitney Museum. \nPARTICIPATING ARTISTS
URL:https://greenwichhouse.org/event/in-house-ghp-faculty-and-staff-exhibition/
LOCATION:Jane Hartsook Gallery\, 16 Jones Street\, New York\, NY\, 10014\, United States
CATEGORIES:Exhibition,Pottery
ATTACH;FMTTYPE=image/png:https://greenwichhouse.org/wp-content/uploads/2019/06/GHP-Artist-Exhibition-group.png
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